The knocks keep adding up and Andy is forced to reprioritise his life. His previous efforts were full of focus on his business and its successes with little left for his wife and children. He soon begins to realise his absenteeism has deprived himself and those around him of the joys that can happen in everyday life.

This is all a fairly standard setup, script-wise but what happens as things unfold is anything but by the numbers. Situations and their end results are presented in such a hyperbole-free manner that it places the focus on the kind of nuances that happen in a real person’s life. You can’t help but be drawn in.

Too many films end up being just entertainment fodder but then there are the projects that aim a little higher and leave behind a lasting impression. Goodrich fills your thoughts with a rich concoction of human emotions, life-affirming endeavours and reconnections. Kudos to all involved in this wonderful film.
Rob Hudson
www.facebook.com/RialtoDistributionAU

The juice is loose! Tim Burton’s long-awaited sequel has finally arrived, starring Michael Keaton, Winona Ryder, Catherine O’Hara, and Jenna Ortega. The ghost with the most is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River.

All dogs must be kept on a short leash (2 meters or under). All dog owners are required to respect the park as well as other patrons by picking up after their dog and keeping it quiet during the film. Please bring a drinking container and plenty of water for your dog. Dog owners with aggressive dogs or dogs that must be muzzled will be denied entry. If a dog becomes aggressive or fights with another dog once inside the venue, the owner will be asked to immediately remove their dog from the venue.

Beetlejuice Beetlejuice Dog Friendly Screening
20 October 2024
Dendy Powerhouse
www.powerhouse.dendy.com.au

Keaton returns to his iconic role alongside Oscar nominee Winona Ryder (Stranger Things, Little Women) as Lydia Deetz and two-time Emmy winner Catherine O’Hara (Schitt$ Creek, Corpse Bride) as Delia Deetz, with new cast members Justin Theroux (Star Wars: Episode VIII – The Last Jedi, The Leftovers), Monica Bellucci (Spectre, The Matrix films), Arthur Conti (House of the Dragon) in his feature film debut, with Emmy nominee Jenna Ortega (Wednesday, Scream VI) as Lydia’s daughter, Astrid, and Oscar nominee Willem Dafoe (Poor Things, At Eternity’s Gate).

Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.

Burton, a genre unto himself, directs from a screenplay by Alfred Gough & Miles Millar (Wednesday), story by Gough & Millar and Seth Grahame-Smith (The LEGO® Batman Movie), based on characters created by Michael McDowell & Larry Wilson. The film’s producers are Marc Toberoff, Dede Gardner, Jeremy Kleiner, Tommy Harper and Burton, with Sara Desmond, Katterli Frauenfelder, Gough, Millar, Brad Pitt, Larry Wilson, Laurence Senelick, Pete Chiappetta, Andrew Lary, Anthony Tittanegro, Grahame-Smith and David Katzenberg executive producing.

Burton’s creatives behind the scenes includes director of photography Haris Zambarloukos (Meg 2: The Trench, Murder on the Orient Express); such previous and frequent collaborators as production designer Mark Scruton (Wednesday), editor Jay Prychidny (Wednesday), Oscar-winning costume designer Colleen Atwood (Alice in Wonderland, Sweeney Todd: The Demon Barber of Fleet Street, Sleepy Hollow), Oscar-winning creature effects and special makeup FX creative supervisor Neal Scanlan (Sweeney Todd: The Demon Barber of Fleet Street, Charlie and the Chocolate Factory) and Oscar-nominated composer Danny Elfman (Big Fish, The Nightmare Before Christmas, Batman); and Oscar-winning hair and makeup designer Christine Blundell (Topsy-Turvy).

A Warner Bros. Pictures presentation, Beetlejuice Beetlejuice will be released only in cinemas and IMAX on September 5, 2024 nationwide. It will be distributed worldwide by Warner Bros. Pictures.
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Keaton returns to his iconic role alongside Oscar nominee Winona Ryder (Stranger Things, Little Women) as Lydia Deetz and two-time Emmy winner Catherine O’Hara (Schitt$ Creek, Corpse Bride) as Delia Deetz, with new cast members Justin Theroux (Star Wars: Episode VIII – The Last Jedi, The Leftovers), Monica Bellucci (Spectre, The Matrix films), Arthur Conti (House of the Dragon) in his feature film debut, with Emmy nominee Jenna Ortega (Wednesday, Scream VI) as Lydia’s daughter, Astrid, and Oscar nominee Willem Dafoe (Poor Things, At Eternity’s Gate).

Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.

Burton, a genre unto himself, directs from a screenplay by Alfred Gough & Miles Millar (Wednesday), story by Gough & Millar and Seth Grahame-Smith (The LEGO® Batman Movie), based on characters created by Michael McDowell & Larry Wilson. The film’s producers are Marc Toberoff, Dede Gardner, Jeremy Kleiner, Tommy Harper and Burton, with Sara Desmond, Katterli Frauenfelder, Gough, Millar, Brad Pitt, Larry Wilson, Laurence Senelick, Pete Chiappetta, Andrew Lary, Anthony Tittanegro, Grahame-Smith and David Katzenberg executive producing.

Burton’s creatives behind the scenes includes director of photography Haris Zambarloukos (Meg 2: The Trench, Murder on the Orient Express); such previous and frequent collaborators as production designer Mark Scruton (Wednesday), editor Jay Prychidny (Wednesday), Oscar-winning costume designer Colleen Atwood (Alice in Wonderland, Sweeney Todd: The Demon Barber of Fleet Street, Sleepy Hollow), Oscar-winning creature effects and special makeup FX creative supervisor Neal Scanlan (Sweeney Todd: The Demon Barber of Fleet Street, Charlie and the Chocolate Factory) and Oscar-nominated composer Danny Elfman (Big Fish, The Nightmare Before Christmas, Batman); and Oscar-winning hair and makeup designer Christine Blundell (Topsy-Turvy).

A Warner Bros. Pictures presentation, Beetlejuice Beetlejuice will be released only in cinemas and IMAX on September 5, 2024 nationwide. It will be distributed worldwide by Warner Bros. Pictures.
www.facebook.com/WarnerBrosAU/

Keaton returns to his iconic role alongside Oscar nominee Winona Ryder (Stranger Things, Little Women) as Lydia Deetz and two-time Emmy winner Catherine O’Hara (Schitt$ Creek, Corpse Bride) as Delia Deetz, with new cast members Justin Theroux (Star Wars: Episode VIII – The Last Jedi, The Leftovers), Monica Bellucci (Spectre, The Matrix films), Arthur Conti (House of the Dragon) in his feature film debut, with Emmy nominee Jenna Ortega (Wednesday, Scream VI) as Lydia’s daughter, Astrid, and Oscar nominee Willem Dafoe (Poor Things, At Eternity’s Gate).

Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.

Burton, a genre unto himself, directs from a screenplay by Alfred Gough & Miles Millar (Wednesday), story by Gough & Millar and Seth Grahame-Smith (The LEGO® Batman Movie), based on characters created by Michael McDowell & Larry Wilson. The film’s producers are Marc Toberoff, Dede Gardner, Jeremy Kleiner, Tommy Harper and Burton, with Sara Desmond, Katterli Frauenfelder, Gough, Millar, Brad Pitt, Larry Wilson, Laurence Senelick, Pete Chiappetta, Andrew Lary, Anthony Tittanegro, Grahame-Smith and David Katzenberg executive producing.

Burton’s creatives behind the scenes includes director of photography Haris Zambarloukos (Meg 2: The Trench, Murder on the Orient Express); such previous and frequent collaborators as production designer Mark Scruton (Wednesday), editor Jay Prychidny (Wednesday), Oscar-winning costume designer Colleen Atwood (Alice in Wonderland, Sweeney Todd: The Demon Barber of Fleet Street, Sleepy Hollow), Oscar-winning creature effects and special makeup FX creative supervisor Neal Scanlan (Sweeney Todd: The Demon Barber of Fleet Street, Charlie and the Chocolate Factory) and Oscar-nominated composer Danny Elfman (Big Fish, The Nightmare Before Christmas, Batman); and Oscar-winning hair and makeup designer Christine Blundell (Topsy-Turvy).

A Warner Bros. Pictures presentation, Beetlejuice Beetlejuice will be released only in cinemas and IMAX on September 5, 2024 nationwide. It will be distributed worldwide by Warner Bros. Pictures.
www.facebook.com/WarnerBrosAU/

The Flash character has always inhabited a world similar to that of Peter Parker AKA Spider-Man is so much as a somewhat normal teen who through an accident is given special powers. These powers combined with the challenges of the teen years make them more relatable. We’ve all had awkward moments during that phase of life.

Barry Allen (Ezra Miller) continues to be haunted by the death of his mother and the unjust incarceration of his father for her murder. He uses his powers to go back in time to undo that wrong and throws the space-time continuum out of whack. This opens up things for some great reveals and just a general sense of fun.

If DC continues with getting the mix of humour and pathos this correct they will be able to give that other house of ink a proper run for their money. Relatable characters and spectacular conflicts are a winner in anyone’s books. Also in line with that other companies’ products, you have to stay until the very end to catch a hilarious cameo.
Rob Hudson
www.facebook.com/WarnerBrosAU/

But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to.

That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon (“Bullet Train,” “Batman v Superman: Dawn of Justice“), Ron Livingston (“Loudermilk,” “The Conjuring”), Maribel Verdú (“Elite,” “Y tu mamá también”), Kiersey Clemons (“Zack Snyder’s Justice League,” “Sweetheart”), Antje Traue (“King of Ravens,” “Man of Steel”) and Michael Keaton (“Spider-Man: Homecoming,” “Batman”).
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Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon (“Bullet Train,” “Batman v Superman: Dawn of Justice”), Ron Livingston (“Loudermilk,” “The Conjuring”), Maribel Verdú (“Elite,” “Y tu mamá también”), Kiersey Clemons (“Zack Snyder’s Justice League,” “Sweetheart”), Antje Traue (“King of Ravens,” “Man of Steel”) and Michael Keaton (“Spider-Man: Homecoming,” “Batman”).

“The Flash” is produced by Barbara Muschietti (the “IT” films, “Mama”) and Michael Disco (“Rampage,” “San Andreas”). The screenplay is by Christina Hodson (“Birds of Prey,” “Bumblebee”), with a screen story by John Francis Daley & Jonathan Goldstein (“Dungeons & Dragons: Honor Among Thieves,” “Spider-Man: Homecoming”) and Joby Harold (“Transformers: Rise of the Beasts,” “Army of the Dead”), based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.

Joining director Muschietti behind the camera are director of photography Henry Braham (“Guardians of the Galaxy Vol. 3,” “The Suicide Squad”), production designer Paul Denham Austerberry (“IT Chapter Two,” “The Shape of Water”), editors Jason Ballantine (the “IT” films, “The Great Gatsby”) and Paul Machliss (“The Gentlemen,” “Baby Driver”), and costume designer Alexandra Byrne (“Doctor Strange,” “Guardians of the Galaxy”); the score is by Benjamin Wallfisch (“The Invisible Man,” the “IT” films).

Warner Bros. Pictures presents a Double Dream/a Disco Factory production of an Andy Muschietti film, “The Flash.” It will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on June 16, 2023 and internationally beginning 14 June 2023.
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Now revisiting Robocop in 2014 is a plan fraught with risks and Brazilian born director/documentarian José Padilha hasn’t really helped matters by choosing some elements within the first version to revisit while casting aside others. His more moralistic take is interesting while his almost complete discarding of some of the eighties version’s most humorous elements (mainly the hilarious TV ads) have taken a lot of the fun out. Original director Paul Verhoeven’s biting social satire is sadly missing.

For those familiar with the first version, a spot the differences approach has its charms, while newbie’s are left with a somewhat familiar dynamic. One where big business and its leaders are corrupt and the plucky young upstarts are not. Most of the gray in this story line however is washed out. There are some arresting visual moments and some action scene that filmmakers in the eighties could only have dreamed about but they are used rather predictably here.

What we are left with is a film that looks of its time with current state of the art computer generated graphics instead of dodgy but endearing stop motion animation and a seriousness that drains a lot of the enjoyment out of the ride. It’s still worth seeing as the overriding story arc is one of interest but its chances of being remembered fondly in the decades to come are slim.

Rob Hudson
www.facebook.com/SonyPicturesAUS

So with that in mind, it’s great to see Marvel relax the reins on Spider-man: Homecoming a bit and tell a story more character driven than special effects driven. The film’s lighthearted touch with an emphasis on humour makes it much more accessible than some of the recent overly serious Superhero films. It easily lives in the MU while comfortably standing alone. It even features a crazy credit at the very end of the film that sells laughs instead of product.

Peter Parker in comic book form has always been a geeky kid and the new Spidey, Tom Holland gets those nuances just right. He plays awkward as endearing. The story starts right after the Battle of New York and we get an early view of both Spider-man’s progression (further along than the radiated spider bite) and the political machinations that helped to create his new nemesis.

The thoughts of restarting the franchise again are rapidly lost as the charm and humour of this latest edition sweep you away. It gets the balance of action, storyline and character development just right and as such is a blast from beginning to end.

Rob Hudson
www.facebook.com/SonyPicturesAUS