But it doesn’t take long for their partnership to be put to the ultimate test when they find themselves on the twisting trail of a mystery tied to the arrival of a venomous snake in the animal metropolis.

While “Zootopia 2” introduces Gary De’Snake (voice of Ke Huy Quan), Nibbles (voice of Fortune Feimster) and quokka therapist Dr. Fuzzby (voice of Quinta Brunson), the upcoming feature film also welcomes back a herd of characters who made their debut in the Oscar®-winning film “Zootopia.”

“It’s been an absolute joy to reteam with so many actors who made the first film so special, and so exciting to expand the world with our phenomenal new cast members,” said director/writer Jared Bush (chief creative officer for Walt Disney Animation Studios).

“I can’t wait for audiences to see what other surprises we have in store in this brand-new adventure.”

Bringing the returning characters to life are returning cast members who join Goodwin, Bateman and Shakira (voice of Gazelle):
Idris Elba (voice of Chief Bogo)
Bonnie Hunt (voice of Bonnie Hopps)
Don Lake (voice of Stu Hopps)
Nate Torrence (voice of Clawhauser)
Jenny Slate (voice of Bellwether)
Alan Tudyk (voice of Duke Weaselton)
Maurice LaMarche (voice of Mr. Big)
Leah Latham (voice of Fru Fru)
Josh Dallas (voice of Frantic Pig)
Tommy Chong (voice of Yax)
Mark Rhino Smith (voice of Officer McHorn)
Raymond Persi (voice of Flash)

From the Oscar®-winning team of Jared Bush and Byron Howard (directors) and Yvett Merino (producer), “Zootopia 2” marks Walt Disney Animation Studios’ 64th animated feature film and will be release November 27!
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DC Studios heads Peter Safran and Gunn are producing the film, which Gunn directs from his own screenplay, based on characters from DC, Superman created by Jerry Siegel and Joe Shuster.

The film stars David Corenswet (“Twisters”, “Hollywood”) in the dual role of Superman/Clark Kent, Rachel Brosnahan (“The Marvelous Mrs. Maisel”) as Lois Lane and Nicholas Hoult (the “X-Men” movies, “Juror #2”) as Lex Luthor. The film also stars Edi Gathegi (“For All Mankind”), Anthony Carrigan (“Barry”, “Gotham”), Nathan Fillion (the “Guardians of the Galaxy” films, “The Suicide Squad”), Isabela Merced (“Alien Romulus”), Skyler Gisondo (“Licorice Pizza”, “Booksmart”), Sara Sampaio (“At Midnight”), María Gabriela de Faría (“The Moodys”), Wendell Pierce (“Selma”, “Tom Clancy’s Jack Ryan”), Alan Tudyk (“Andor”), Pruitt Taylor Vince (“Bird Box”) and Neva Howell (“Greedy People”).

“Superman” is executive produced by Nikolas Korda, Chantal Nong Vo and Lars Winther. Behind the camera, Gunn is joined by frequent collaborators, including director of photography Henry Braham, production designer Beth Mickle, costume designer Judianna Makovsky and composer John Murphy, along with editors Craig Alpert (“Deadpool 2”, “Blue Beetle”), Jason Ballantine (the “IT” films, “The Flash”) and William Hoy (“The Batman”).

“Superman” will be in theaters and IMAX nationwide on July 11, 2025, and internationally beginning 9 July 2025, distributed by Warner Bros. Pictures.

“Superman” will release in Australian cinemas from July 10.
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Together, Asha and Star confront a most formidable foe—the ruler of Rosas, King Magnifico—to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen.

Featuring the voices of Academy Award®-winning actor Ariana DeBose as Asha, Chris Pine as Magnifico, and Alan Tudyk as Asha’s favorite goat, Valentino, the film is helmed by Oscar®-winning director Chris Buck (“Frozen,” “Frozen 2”) and Fawn Veerasunthorn (“Raya and the Last Dragon”), and produced by Peter Del Vecho (“Frozen,” “Frozen 2”) and Juan Pablo Reyes Lancaster Jones (“Encanto”).

Jennifer Lee (“Frozen,” “Frozen 2”) executive produces—Lee and Allison Moore (“Night Sky,” “Manhunt”) are writers on the project. With original songs by Grammy®-nominated singer/songwriter Julia Michaels and Grammy-winning producer/songwriter/musician Benjamin Rice, plus score by composer Dave Metzger, “Wish” opens only in cinemas Boxing Day, 2023.
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“Peter Pan & Wendy” introduces Wendy Darling, a young girl afraid to leave her childhood home behind, who meets Peter Pan, a boy who refuses to grow up.

Alongside her brothers and a tiny fairy, Tinker Bell, she travels with Peter to the magical world of Never Land. There, she encounters an evil pirate captain, Captain Hook, and embarks on a thrilling and dangerous adventure that will change her life forever.

The film stars Jude Law (“Fantastic Beasts: The Secrets of Dumbledore”), Alexander Molony (“The Reluctant Landlord”), Ever Anderson (“Resident Evil: The Final Chapter”), Yara Shahidi (“Grown-ish”), Alyssa Wapanatâhk, Joshua Pickering (“A Discovery of Witches”), Jacobi Jupe, Molly Parker (“House of Cards”), Alan Tudyk (“Rogue One: A Star Wars Story”), and Jim Gaffigan (“The Jim Gaffigan Show”).

“Peter Pan and Wendy” is directed by David Lowery from a screenplay by David Lowery & Toby Halbrooks (“The Green Knight”) based on the novel by J. M. Barrie and the animated film “Peter Pan.” The producer is Jim Whitaker (“Pete’s Dragon”), with Adam Borba (“A Wrinkle in Time”), Thomas M. Hammel (“Thor: Ragnarok”), and Toby Halbrooks serving as executive producers.
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“Raya and the Last Dragon” takes us on an exciting, epic journey to the fantasy world of Kumandra, where humans and dragons lived together long ago in harmony. But when an evil force threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, that same evil has returned and it’s up to a lone warrior, Raya, to track down the legendary last dragon to restore the fractured land and its divided people. However, along her journey, she’ll learn that it’ll take more than a dragon to save the world—it’s going to take trust and teamwork as well.

Don Hall and Carlos López Estrada are directing, with Paul Briggs and John Ripa co-directing. Osnat Shurer and Peter Del Vecho are the producers, and Qui Nguyen and Adele Lim are the writers on the project.

Disney’s Raya and the Last Dragon will be released in Australian Cinemas March 4 and on Disney+ with Premier Access* March 5, 2021!
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A thrilling and vibrant live-action adaptation of Disney’s animated classic, “Aladdin” is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine and the Genie who may be the key to their future. Directed by Guy Ritchie, who brings his singular flair for fast-paced, visceral action to the fictitious port city of Agrabah, “Aladdin” is written by John August and Ritchie based on Disney’s “Aladdin.” The film stars Will Smith as the Genie; Mena Massoud as Aladdin; Naomi Scott as Jasmine; Marwan Kenzari as Jafar; Navid Negahban as the Sultan; Nasim Pedrad as Dalia and Billy Magnussen as Prince Anders.

“Aladdin” is produced by Dan Lin, p.g.a., and Jonathan Eirich, p.g.a., with Kevin De La Noy and Marc Platt serving as executive producers. Eight-time Academy Award®-winning composer Alan Menken provides the score, which includes new recordings of the original songs written by Menken and Oscar®-winning lyricists Howard Ashman and Tim Rice and includes two new songs written by Menken and lyrics by Oscar and Tony Award®-winning songwriters Benj Pasek and Justin Paul.

Disney’s Aladdin is in Australian cinemas May 23!
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Ralph (John C. Reilly) and his BFF Vanellope (Sarah Silverman) go on a mission to save Vanellope’s old school video game and this involves a trip into the idiosyncrasies of the Internet. The journey is filled with great visual representations of some of the web’s oddest elements.

The film is unafraid of presenting things that are quite dark (for a kid’s film) even including a visit to the dark web and a scary visual representation of a computer virus. It doesn’t undersell its youth audience members and there are a few adult jokes thrown in for good measure.

Translating web crazy into family friendly visuals is handled with skill and imagination. As is taking advantage of the Disney playbook of characters including a very funny bit about the brand’s princesses. The six-year wait since Wreck-It Ralph kicked things off in 2012 has been well worth the wait.

Rob Hudson
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Video game bad guy Ralph (voice of John C. Reilly) and fellow misfit Vanellope von Schweetz (voice of Sarah Silverman) must risk it all by traveling to the world wide web in search of a replacement part to save Vanellope’s video game, Sugar Rush.

In way over their heads, Ralph and Vanellope rely on the citizens of the internet—the netizens—to help navigate their way, including a webite entrepreneur named Yesss (voice of Taraji P. Henson), who is the head algorithm and the heart and soul of trend-making site “BuzzzTube.”

Directed by Rich Moore (“Zootopia,” “Wreck-It Ralph”) and Phil Johnston (co-writer “Wreck-It Ralph,” “Cedar Rapids,” co-writer “Zootopia,”), and produced by Clark Spencer (“Zootopia,” “Wreck-It Ralph,” “Bolt”), “Ralph Breaks the Internet: Wreck-Ralph 2” hits theaters on Dec. 26, 2018!
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One of the core problems with TRON: Legacy was that it completely disregarded the subsequent advances in video gaming since the first film. In an age where the first person shooter is considered de rigueur, TRON: Legacy was still playing with light cycles (Blockade/Surround) and illuminated Frisbees (Pong). Wreck-It Ralph corrects this oversight by internally chronicling the history of video games from the likes of Q*Bert and Tapper to 2D fighters’ Street Fighter and Mortal Kombat to the modern 3D first person shooter, where Wreck-It Ralph is a ‘classic’ conglomeration of Rampage, Donkey Kong and Crazy Climber.

Ralph (John C. Reilly), a bad guy who seeks the social acceptance and profligacy’s of a good guy, teams up with Vanellope (Sarah Silverman), a buggy (in the software sense) character who finds strength in her weakness, in a story which teaches kids that they don’t have to be satisfied with their lot in life, they are free to strive for better.

Highly derivative of other films such as Toy Story, the aforesaid TRON and Who Framed Roger Rabbit, Wreck-It Ralph has barely an ounce of originality but it’s very sweet, fun and has lashings of nostalgia (and some bruising product placement!).

In aping the style of Pixar, Disney has moderate success, although the obligatory proceedings fall shy of par, lacking the literary elegance of much of Pixar’s work. The same could be said of the featurette but it’s a good attempt, though it’s probably best if Disney left this kind of film to its Pixar arm. John Lasseter does executive produce, however.

As a slice of family entertainment, you can’t go far wrong with Wreck-It Ralph. It’s as fun as a ferret in your underpants and it even has a kill screen but, naturally, only the most die-hard filmgoers will stick around to see that!

Stuart Jamieson
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