Writer/director David Robert Mitchell continues his fascination with American suburbia with a Science Fiction yarn that involves dinosaurs and time portals. The story is also a bit of a throwback with its presentation of danger. As the Thunder Lizards and their ilk ramp up their occupational numbers, the violence inherent in their ways is played mostly for comic effect.

A-list actors Anne Hathaway and Ewan McGregor are given roles in which their lives are mired in the downward trajectory of an unhappy union. She is a frustrated writer, and he has problems with employment while secretly day drinking. They endure plain lives with an optimism that feels from another time. When their heroism emerges, it feels organic.

The End of Oak Street reminds one of a time in the cinema universe that would have felt right at home in the days of drive-ins and enjoying on-screen peril while rugged up in your jammies, drinking hot cocoa while being surrounded by your family members and enjoying every minute. It’s the kind of look back at a simpler time that will always feel welcoming.
Rob Hudson
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Dune: Part Three is set nearly two decades after Paul Atreides seized control of the Imperium. Now a ruthless Emperor, Paul must face the consequences of his reign as old allies return, terrifying new threats emerge, and betrayal lurks in every shadow. Haunted by visions of Imperial collapse and the reappearance of his long-lost love, Paul is drawn into a sweeping conspiracy, with Chani at the heart of its unfolding mystery. As rebellion brews and enemies close in, Paul must confront the true cost of power and the fate of those he loves the most.

The film stars Oscar nominee Timothée Chalamet, Zendaya, Jason Momoa, Oscar nominee Florence Pugh, Rebecca Ferguson, Isaach de Bankolé, with Oscar nominee Charlotte Rampling, with Anya Taylor-Joy, and Robert Pattinson, and Oscar winner Javier Bardem.

Villeneuve directs from a screenplay by Villeneuve and Brian K. Vaughan, based on the novels written by Frank Herbert. The film is produced by Oscar nominees Mary Parent, Cale Boyter, Villeneuve and Tanya Lapointe, and Joe Caracciolo, and executive produced by Joshua Grode, Thomas Tull, Herbert W. Gains, Brian Herbert, Byron Merritt, Kim Herbert, Kevin J. Anderson, Richard P. Rubinstein, John Harrison and Jessica Derhammer.

Joining Villeneuve behind the camera are Oscar-winning director of photography Linus Sandgren, Oscar-winning production designer Patrice Vermette, Oscar-winning editor Joe Walker, Oscar nominated costume designer Jacqueline West, Oscar-nominated casting director Francine Maisler, and Oscar-winning composer Hans Zimmer.

Warner Bros. Pictures and Legendary Pictures Present A Legendary Pictures Production, A Film By Denis Villeneuve, Dune: Part Three, only in cinemas December 17, 2026. The film will be distributed worldwide by Warner Bros. Pictures and in China by Legendary East.
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When Klara meets Josie (Mia Tharia), each immediately senses a kindred spirit in the other. Josie has a fraught relationship with her mother (Amy Adams) and they’ve suffered great loss, but Klara’s innocent wonder and unwavering loyalty begin to heal the family and bring light to Josie’s complicated world.

Starring Jenna Ortega, Amy Adams, Mia Tharia, Aran Murphy with Steve Buscemi and Natasha Lyonne, Klara and the Sun will be released in Aussie cinemas October 22!
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The main theme is a well-used one, that aliens have been visiting Earth for decades, and the truth is being kept from the public by the US government and in a slight departure, aided this time by an evil multinational corporation. Curiously, Spielberg’s approach highlights only modern events and completely ignores those other alien breeding grounds like the Egyptian and both the Mayan and Aztec civilizations. Too much of a good thing, I guess.

The structure of the film is based around a whistleblower arc and plays out in quite a thrilling manner. The alien technology that backs up the main chase is as outrageous as all the other efforts in this genre, but that does little to distract from the fun. Steven even finds a line of biblical scripture that reinforces the belief in life on other planets. It’s all based in a fantasy land and reinforces the truth that we humans will probably never know the accurate details.

Unfortunately, there are times that the director just can’t help himself, and the final few minutes seem completely unnecessary. It once again feels like he lacks complete trust in his audience and has to overstate the main theme to make sure everyone gets it. The almost complete grasp of his craft makes these moments so unnecessary. That distraction aside, Disclosure Day is a lot of fun and raises more questions than it does answers about those little grey men.
Rob Hudson
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Starring Anne Hathaway and Ewan McGregor, The End of Oak Street also stars Maisy Stella and Christian Convery. The film is written and directed by David Robert Mitchell and produced by J.J. Abrams, Hannah Minghella, Jon Cohen, David Robert Mitchell, Matt Jackson and Tommy Harper. The executive producers are Chris Bender, Jake Weiner, Joanne Lee and Leeann Stonebreaker.

Mitchell’s team behind the camera includes director of photography Michael Gioulakis, production designer Maya Shimoguchi, editor John Axelrad, composer Michael Giacchino and costume designer Erin Benach.

Warner Bros. Pictures Presents A Bad Robot Production, A Jackson Pictures Production, A David Robert Mitchell Film: The End of Oak Street. The film will be distributed worldwide by Warner Bros. Pictures, only in cinemas August 13 2026.
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We are coming close to … Disclosure Day.

Universal Pictures is proud to release a new original event film created and directed by Steven Spielberg. The film stars SAG winner and Oscar® nominee Emily Blunt (Oppenheimer, A Quiet Place), Emmy and Golden Globe winner Josh O’Connor (Challengers, The Crown), Oscar® winner Colin Firth (The King’s Speech, Kingsman franchise), Eve Hewson (Bad Sisters, The Perfect Couple) and two-time Oscar® nominee Colman Domingo (Sing Sing, Rustin).

Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull. Combined, those films earned more than $3 billion worldwide. Koepp also wrote the script for this 2025’s Jurassic World Rebirth.

Disclosure Day is produced by five-time Academy Award® nominee Kristie Macosko Krieger (The Fabelmans, West Side Story) and by Spielberg for Amblin Entertainment. The executive producers are Adam Somner and Chris Brigham.

Steven Spielberg is one of the industry’s most successful and influential filmmakers. The top-grossing director of all time, Spielberg has helmed such blockbusters as Jaws, E.T. The Extra-Terrestrial, the Indiana Jones franchise and Jurassic Park.

Among his myriad honors, he is a three-time Academy Award® winner, including Oscars® for Best Director and Best Picture for Schindler’s List, which received a total of seven Oscars®, and for Best Director for Saving Private Ryan. His most recent film, The Fabelmans, was released by Universal in 2022 and received seven Academy Award® nominations, including for Directing, Best Original Screenplay, Best Actress and Best Picture.
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Intentionally disorienting from its opening scene. It takes you mid-film and then stretches out in both directions from there. You are introduced to a bearded and dishevelled Ryland Grace (Ryan Gosling), surrounded by technology that is a mystery to him. As his wits return, he discovers he is alone and on a spaceship in the outer regions of the universe.

As the non-linear storyline progresses, you discover Ryland was at one time a lowly high school science teacher during a time of an impending cataclysmic event. The Earth’s Sun is being attacked and drained of its power by an alien organism, and he is an expert in the field. His aw-shucks nature puts him at odds with the scientific community, but his innate genius causes them to begrudgingly accept him into the fold.

To comment further on the storyline would rob the viewer of the upcoming surprises and blunt the joy of discovery. The departure from the traditional hero narrative remains and reinforces the sense that there is greatness in opening your mind to the plight of others. Using Andy Weir’s 2021 science fiction novel of the same name as source material, this cinematic take stays true to Weir’s sensibilities if not his actual words.
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As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone.

Starring Ryan Gosling, Sandra Hüller, Lionel Boyce, Ken Leung, Milana Vayntrub, Project Hail Mary is coming to Aussie cinemas March 19!
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We are coming close to … Disclosure Day.

Universal Pictures is proud to release a new original event film created and directed by Steven Spielberg. The film stars SAG winner and Oscar® nominee Emily Blunt (Oppenheimer, A Quiet Place), Emmy and Golden Globe winner Josh O’Connor (Challengers, The Crown), Oscar® winner Colin Firth (The King’s Speech, Kingsman franchise), Eve Hewson (Bad Sisters, The Perfect Couple) and two-time Oscar® nominee Colman Domingo (Sing Sing, Rustin).

Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull. Combined, those films earned more than $3 billion worldwide. Koepp also wrote the script for this 2025’s Jurassic World Rebirth.

Disclosure Day is produced by five-time Academy Award® nominee Kristie Macosko Krieger (The Fabelmans, West Side Story) and by Spielberg for Amblin Entertainment. The executive producers are Adam Somner and Chris Brigham.

Steven Spielberg is one of the industry’s most successful and influential filmmakers. The top-grossing director of all time, Spielberg has helmed such blockbusters as Jaws, E.T. The Extra-Terrestrial, the Indiana Jones franchise and Jurassic Park.

Among his myriad honors, he is a three-time Academy Award® winner, including Oscars® for Best Director and Best Picture for Schindler’s List, which received a total of seven Oscars®, and for Best Director for Saving Private Ryan. His most recent film, The Fabelmans, was released by Universal in 2022 and received seven Academy Award® nominations, including for Directing, Best Original Screenplay, Best Actress and Best Picture.
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Few, if any, reboots have been as successfully realised as Dan Trachtenberg’s Predator: Badlands. It is filled with amazing imagery amid a strong storyline and even sticks the landing with a finish that is emotionally satisfying. The imagination at play is particularly relevant with the creation of a planet that is rife with a real sense of peril to the main protagonists.

Dek (Dimitrius Schuster-Koloamatangi) is a young predator who leaves his planet, Yautja Prime, to travel to the planet Genna to hunt the Kalisk. His departure is emotionally charged after his brother Kwei is killed by his father Nihorr for disobeying his father’s orders. The Kalisk is supposed to be unkillable, so Dek has his work cut out for him.

During his travels, he comes in contact with Thia (Elle Fanning), a synthetic sent to the planet by the Weyland-Yutani Corporation. The same company known in the Alien world. The planet Genna is filled with real risk as both flora and fauna are deadly and ultra-aggressive in ending the lives of any creature brave enough to land on there. It makes Dek’s journey all the more dangerous.

The film’s great strength is the seamless integration of all its components. Dek stays true to the Yautja Clan’s code of battle and honour, but there are traces of humanity that creep in and give the audience a chance to sympathise with him and not see his behaviour as one-dimensional. Trachtenberg shows a true love of the Predator world, and his tasteful approach bodes well for future releases.
Rob Hudson
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