There are prestige gigs in the acting game, and being part of a Paul Thomas Anderson film must rate high on that list. His filmography is impressive, as is the list of amazing actors who have worked with him. His newest film, One Battle After Another, illustrates that he has lost none of his considerable powers and that he continues to set his sights on having a relevance to the world at large. 

The story that underlies One Battle After Another is the extreme actions that governments (and the clandestine groups behind them) will resort to to ensure that their vision for the world is the dominant one. The overview is of the firebrands that fuelled opposition to the status quo and were unafraid to use any means necessary to restore their version of a fair and equal society.

There are a few things to consider with the amazing performances by lead actors Sean Penn and Leonardo DiCaprio. You have to admire the moment when Penn read the script for his absolutely repugnant character, Col. Steven J. Lockjaw and thought, yeah, I’m in. DiCaprio as well for taking the risk with his lost stoner father figure, who eventually rises to the occasion. Their faith in PTA being absolute.

This perfectly paced thrill ride of a movie utilises two of the current best, DiCaprio and Penn, at a zenith moment of their careers. Paul Thomas Anderson has never been better, and his choice of subject matter has never been more relevant and needed as well. This is a work that comfortably resides amongst his other stand out works, yes, it’s that good.
Rob Hudson
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Oscar and BAFTA winners Benicio del Toro and Sean Penn also star alongside Regina Hall, Teyana Taylor and Chase Infiniti, as well as Wood Harris and Alana Haim.

Anderson directs from his own screenplay, and produces alongside Oscar and BAFTA nominees Adam Somner and Sara Murphy, with Will Weiske executive producing.

The creative team behind the camera includes several frequent collaborators, among them directors of photography Michael Bauman and Anderson; Oscar-nominated, BAFTA-winning production designer Florencia Martin; BAFTA-nominated editor Andy Jurgensen; Oscar and BAFTA-winning costume designer Colleen Atwood; casting director Cassandra Kulukundis; and with music by Oscar- and BAFTA-nominated composer Jonny Greenwood.

Warner Bros. Pictures Presents A Ghoulardi Film Company Production, A Paul Thomas Anderson Film, “One Battle After Another.” Distributed by Warner Bros. Pictures, the film will be in cinemas nationwide on September 25, 2025.
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“Titanic” won a record 11 Academy Awards® including Best Picture, Best Director, Best Cinematography, Best Film Editing, Best Art Direction-Set Direction, Best Costume Design, Best Original Dramatic Score, Best Original Song, Best Sound, Best Sound Effects Editing and Best Visual Effects. Upon its initial release in 1997, the film became the #1 all-time global box office champ and is currently the third highest grossing film worldwide.

Paramount Pictures and 20th Century Studios present A Lightstorm Entertainment Production, “Titanic,” starring Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates, Frances Fisher, Bernard Hill, Jonathan Hyde, Danny Nucci, Gloria Stuart, David Warner, Victor Garber and Bill Paxton. Written and Directed by James Cameron, the film was Produced by Cameron and Jon Landau, with Rae Sanchini serving as Executive Producer.

The 25th Anniversary Re-release of Titanic – remastered in 4K 3D, will be released in Aussie cinemas February 9!
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The film starts out with a boat ride that would be helped by a shot of Dramamine as U.S. Marshal Teddy Daniels (DiCaprio) and his partner Chuck Aule (Mark Ruffalo) are sent to a hospital for the criminally insane located on an isolated island to investigate the disappearance of one of its patients. This sets off a chain of events that will push the already unstable Marshal to and over the edge.

The movie’s trailer to the contrary, the film is more of a psychological thriller than an outright horror story and from the first frame on things seems strange and edgy. The first strains of the film score are also abrasive and over stated as if the filmmaker wants you to not get comfortable. The events that unravel from there redefine the main characters and the viewer needs to pay attention.

If this film’s ultimate success is dependent on return patronage, it’s got the bases covered because a twist in the film’s ending will have you wanting to see the film again to examine all the clues that lead up to it. Scorsese has had an uneven run with his last few films and while Shutter Island is no classic, it’s still a lot of fun and takes some detecting from the audience to fully enjoy.

Rob Hudson
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“As cinema lovers return to theatres across the country we are thrilled to be bringing TENET, Christopher Nolan’s latest epic, to the big screen,” Said Joel Pearlman, CEO Roadshow Films. “Fans of Nolan’s work know the scope and scale of his films are made for the theatrical environment and as we countdown to the opening of this latest global film event, we are excited to offer his classic INCEPTION in cinemas on its 10th anniversary, July 16th.”

John David Washington is the new Protagonist in Christopher Nolan’s original sci-fi action spectacle “Tenet.” Armed with only one word—Tenet—and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Not time travel. Inversion. The film also stars Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, with Michael Caine, and Kenneth Branagh. Nolan wrote and directed the film and also produced with Emma Thomas.

“Inception,” a 2010 science fiction action film written and directed by Nolan, who also produced the film with Emma Thomas, stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets. He is offered a chance to have his criminal history erased as payment for the implantation of another person’s idea into a target’s subconscious. The ensemble cast includes Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Dileep Rao, Cillian Murphy, Tom Berenger, and Michael Caine.

For further information on session times and participating cinemas, please visit your local cinema website for full details.
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It’s a sign of the expertise at work here that the 180 minute long film literally flies by. It’s also helped along by Leonardo DiCaprio’s most manic performance yet. If you thought he was full on in Django Unchained, he ramps it up ten fold here. Quite a few of the support cast members also turn in career defining roles. This includes Jonah Hill, who get the mix of powerful and pathetic just right and Aussie soap star Margot Robbie’s clothing optional performance that proves her place on the big screen.

A number of critics have taken Scorsese to task for glorifying all the drug use and sexist behavior. They must have been watching another film because never has a film showed so vividly how this kind of hedonist lifestyle fuelled by debauchery and excess leads to empty and hollow lives, big money or not. If you read about the real world characters from this period in Wall Street’s history it might even be considered tame by comparison.

In the 365 days that have just gone past (2013) it was a year in film that set a high water mark for both great films and great performances. Even in this crowded company, The Wolf Of Wall Street stands out and should be included in anyone’s list of must see movies.

Rob Hudson
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The film directed by Alejandro González Iñárritu (Birdman and Babel) tells a story based on a book by Michael Punke called The Revenant: A Novel of Revenge. The book was inspired by the life of a 19th century fur trapper named Hugh Glass. The trapper profession during Glass’ lifetime was highlighted by an existence of extreme hardship from both the harshness of the land and the extremes of the weather.

During an excursion collecting fur pelts in the unsettled wilderness of the Louisiana Purchase, Glass is mauled by a bear and basically left for dead. He clings to life and thus begins an amazing journey back to the land of the living. He faces dangers at every step of the way. You as an audience member get to the point where you think that he just can’t catch a break as he encounters life-threatening moments from the flora, fauna and human elements in his surrounds.

The acting performances are stunning, the direction spot on and the landscape never short of awe inspiring, this is a story that needs to be seen twenty metres wide in a dark room. It’s work but the rewards are real.

Rob Hudson
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When the rumours of Tarantino tackling the Western genre first surfaced, what a hundred years ago, it provided a number of great movie conservationist’s topics. Could his make cowboys look and sound cool? Could he recharge careers and get superlative performances from his regulars? Could he make an increasingly jaded audience stand up and cheer? In almost all categories the answer is a resounding yes.

Few are unaware of the film’s basic synopsis after another nuanced series of trailers but suffice to say Tarantion molds both history and a take on slavery into a very modern tale. Jamie Foxx gets to become the ultra badass he always seemed capable of, Christoph Waltz continues to place focus on how criminally underrated actors from anywhere other than America actually are in big budget bonanzas and Leonardo DiCaprio chews up and spits out every line of his dialogue, which culminates in a ferociousness not seen from him in a long time.

Django is a long, wordy trip down the memory lane of one of modern cinema’s most iconoclastic auteur and it’s a joy to behold. One wonders where Tarantino will go next but rest assured we will have a long time to ponder it.

Rob Hudson
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The characters that inhabit this world are somehow softer, less hyper cool, more down to earth and less criminal. For those expecting the histrionics that QT usually fires out, this time that intensity is set to slow burn. The film’s final reel is classic violence overkill (quite literally) and will satiate those with a taste for the big red.

Most of the salacious appeal of the film is its connection to Charles Mason and his disciples and while they play a part, they are not the central theme. That belongs to the world of Rick Dalton (Leonardo DiCaprio), an old school television actor speeding towards his use by date and his stunt-double buddy, Cliff Booth (Brad Pitt). It’s the relationship between these two old warhorses that really drives the story.

Some may feel that Once Upon A Time … In Hollywood might be too soft or not hip enough but nine films into his career (not counting the numerous guest spots) it’s fitting that Tarantino would want to do something a little different. When and if he indeed retires after ten, this work will make a fine addition to the canon. In the now, it’s still unlike anyone else’s work and should be seen and enjoyed.

Rob Hudson
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The ninth film from the writer-director Quentin Tarantino features a large ensemble cast including Leonardo DiCaprio, Brad Pitt and Margot Robbie and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

Once Upon a Time… in Hollywood is in Australian cinemas August 15!
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