The main trust of the film is the attack on the Taj Mahal Palace Hotel. This site was chosen for its opulence and the large numbers of Westerners that stayed there. We follow the plight of the humble hotel staff, most notably Anupam Kher as head chef Hemant Oberoi and Dev Patel as Arjun, one of his waiters. The staff are presented as selfless and brave. This reality is confirmed by the high number of actual staff members that were killed in the siege while protecting their guests.

Hotel guests of note include Nazanin Boniadi as Zahra and Armie Hammer as David, a newly wed couple with a new born baby. They get drawn into peril and their plight forms the backbone of the story. There are no real happy endings and no false histrionics as things play out. This is a gritty reality.

The contrast between the poverty shown throughout the city and the grandeur of the hotel is stark as is the extremes the hotel staff go to to please the guests. The film is incredibly tense and never falls into easy outs. The victims and the perpetrators enact actions that give the story believability. This is edge of your seat stuff.

Rob Hudson
www.facebook.com/IconFilmDistribution.Au

And without further ado, here are the top 10 from 2019:

10. Us
Writer/director/producer Jordan Peele returned to fill us with fright and leave behind some food for thought with his new work, Us. Set in the summer in sun drenched California this time, the terror the Wilson family has to endure while on holiday is anything but sunny.
Click here to read our full review

9. The Nightingale
Set in Tasmania in 1825, The Nightingale delivers an adventure of epic proportions. Confronting and unafraid to push the viewer to the edge of repulsion, it will most certainly leave its mark in your grey matter.
Click here to read our full review

8. Avengers: End Game
After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos’ actions and restore balance to the universe.
Click here to read our full review

7. Booksmart
There is a lot more to Booksmart than it just being a female version of the typical end of High School years romp. It has a big heart and a big brain and it marks the exceptionally strong directorial debut of Olivia Wilde. She delivers a work that will resonate strongly with females but includes much to admire for men as well.
Click here to read our full review

6. Hotel Mumbai
Incredibly intense and relentless, Hotel Mumbai tells the story of the real world events that took place in India in 2008 when ten members of an Islamic terrorist organisation staged a series of attacks and bombings in the city of Mumbai. The siege lasted four days and became the focus of the world’s attention at the time.
Click here to read our full review

5. JoJo Rabbit
With a gloriously absurdest approach to films both big and small, Taika Waititi provides something that is in short supply at the moment. Using Christine Leunens’s novel Caging Skies as the nucleus for his project JoJo Rabbit finds the Kiwi in great form. Leunens’s book about a Hitler youth who finds out his mother is harbouring a young Jewish girl in their house provides the basis for a Waititi screenplay that is rich in humour and subtext.
Click here to read our full review

4. Knives Out
There is something so satisfying when a dialogue based movie truly hits its mark. In the current environment that seems to favour action based films above all else, Knives Out stands out with its delicious dialogue and ever changing finger of blame. Having the writer also be the director, in this case Rian Johnson, makes the entire exercise feels more on point. Little seems diluted from what is a classic whodunnit.
Click here to read our full review

3. The Irishman
Never has Martin Scorsese made the life of a criminal look more mundane or realistic. As you would expect in a film three and a half hours long, there is a lot of down time for the criminals. The banality and tedium of a life outside the law is presented in an unapologetic manner. These eventless moments are starkly contrasted by some of the maestro’s most graphic violence to date.
Click here to read our full review

2. Once Upon A Time In Hollywood
In Quentin Tarantino’s penultimate film (if he indeed stops at ten) Once Upon A Time… In Hollywood, we see quite the departure. His other films feel like they were made by someone who lived through the fantasy of film, digesting genres and regurgitating his own. The new work reflects more on his upbringing in Southern California. It’s the world he grew up in. It feels personal and forms a love letter to the Hollywood he grew up around.
Click here to read our full review

1. Parasite
It’s been a very satisfying experience watching the progression of auteur Bong Joon Ho and his most recent work Parasite finds him in absolutely top form. The film works on multiple levels and is a sharp critique on class systems.

And some honourable mentions:

Best Australian Film:
The Nightingale

Best Animated Film:
Toy Story 4

Best Documentary:
Apollo 11

Best Performance:
Joaquin Phoenix – Joker

Film we where most surprised to enjoy:
Ready or Not

The main trust of the film is the attack on the Taj Mahal Palace Hotel. This site was chosen for its opulence and the large numbers of Westerners that stayed there. We follow the plight of the humble hotel staff, most notably Anupam Kher as head chef Hemant Oberoi and Dev Patel as Arjun, one of his waiters. The staff are presented as selfless and brave. This reality is confirmed by the high number of actual staff members that were killed in the siege while protecting their guests.

Hotel guests of note include Nazanin Boniadi as Zahra and Armie Hammer as David, a newly wed couple with a new born baby. They get drawn into peril and their plight forms the backbone of the story. There are no real happy endings and no false histrionics as things play out. This is a gritty reality.

The contrast between the poverty shown throughout the city and the grandeur of the hotel is stark as is the extremes the hotel staff go to to please the guests. The film is incredibly tense and never falls into easy outs. The victims and the perpetrators enact actions that give the story believability. This is edge of your seat stuff.

Rob Hudson
www.facebook.com/IconFilmDistribution.Au