Directed by acclaimed filmmaker Olivier Assayas (PERSONAL SHOPPER, CLOUDS OF SILS MARIA), this gripping political drama follows a young Russian filmmaker (Paul Dano) who becomes an unlikely advisor to Vladimir Putin (Jude Law) as he rises to power in post-Soviet Russia, navigating the era’s complexities and chaos.

What starts as a partnership spinning lies and corruption escalates into violence, tyranny and all-out war. Also starring Alicia Vikander and Tom Sturridge.
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“Peter Pan & Wendy” introduces Wendy Darling, a young girl afraid to leave her childhood home behind, who meets Peter Pan, a boy who refuses to grow up.

Alongside her brothers and a tiny fairy, Tinker Bell, she travels with Peter to the magical world of Never Land. There, she encounters an evil pirate captain, Captain Hook, and embarks on a thrilling and dangerous adventure that will change her life forever.

The film stars Jude Law (“Fantastic Beasts: The Secrets of Dumbledore”), Alexander Molony (“The Reluctant Landlord”), Ever Anderson (“Resident Evil: The Final Chapter”), Yara Shahidi (“Grown-ish”), Alyssa Wapanatâhk, Joshua Pickering (“A Discovery of Witches”), Jacobi Jupe, Molly Parker (“House of Cards”), Alan Tudyk (“Rogue One: A Star Wars Story”), and Jim Gaffigan (“The Jim Gaffigan Show”).

“Peter Pan and Wendy” is directed by David Lowery from a screenplay by David Lowery & Toby Halbrooks (“The Green Knight”) based on the novel by J. M. Barrie and the animated film “Peter Pan.” The producer is Jim Whitaker (“Pete’s Dragon”), with Adam Borba (“A Wrinkle in Time”), Thomas M. Hammel (“Thor: Ragnarok”), and Toby Halbrooks serving as executive producers.
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With magic at its core, all three of the works so far have been filled with wonderful creations, and the creatures of the title have run the gambit from cute and cuddly to quite menacing. There are scenes in The Secrets of Dumbledore that could be traumatic for the smallest members of the family so beware.

The previous success of the franchise has given the filmmakers the budget to fully realise their vision. The special effects both real and digital are impressive and they will fill the young ones with a sense of awe. The final battle between Grindelwald (now played by Mads Mikkelsen) and Dumbledore (Jude Law) brings things to an exciting conclusion.

This latest chapter fits nicely with what has come before and adds to the strong catalogue. With an edge-of-your-seat sense of peril and imaginative expressions of magic, Fantastic Beasts: The Secrets of Dumbledore brings the trilogy to a rousing close. But then again if it makes big box office never say never.

Rob Hudson
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Unable to stop him alone, he entrusts Magizoologist Newt Scamander (Eddie Redmayne) to lead an intrepid team of wizards, witches and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers.

But with the stakes so high, how long can Dumbledore remain on the sidelines?

The film features an ensemble cast, including Oscar winner Eddie Redmayne (“The Theory of Everything”), two-time Oscar nominee Jude Law (“Cold Mountain”, “The Talented Mr. Ripley”), Ezra Miller, Dan Fogler, Alison Sudol, William Nadylam, Callum Turner, Jessica Williams, Victoria Yeates, Poppy Corby-Tuech, Fiona Glascott, Katherine Waterston, Maria Fernanda Cândido, Richard Coyle, Oliver Masucci, Valerie Pachner and Mads Mikkelsen.
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Rory (Jude Law), an ambitious entrepreneur and former commodities broker, persuades his American wife, Allison (Carrie Coon), and their children to leave the comforts of suburban America and return to his native England during the 1980s. Sensing opportunity, Rory rejoins his former firm and leases a centuries-old country manor, with grounds for Allison’s horses and plans to build a stable.

But soon the promise of a lucrative new beginning starts to unravel as the family buckles beneath an unaffordable lifestyle and increasing isolation. As they head towards an inevitable implosion, the couple have to face the unwelcome truths lying beneath the surface of their marriage.

Driven by superb performances from Jude Law and Carrie Coon, writer-director Sean Durkin’s long-awaited follow-up to his debut Martha Marcy May Marlene (2011) is an accomplished family drama exploring cultural misunderstandings and stifling gender expectations.

The Nest will be released in Australian cinemas February 4!

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Strong female leads are rare in the MCU and this project is a great start at righting that wrong. The film even poses some challenges for the audience as the opening reel is not built on obvious details. Larson plays the Captain with both depth and humour. Her and Jackson riff off each other throughout and it’s a lot of fun to watch.

As in almost all origin stories, most to the screen time is spent in character development and the film’s generous running time gives an opportunity to build to something substantial. It’s also a time capsule and features a lot of cool nineties references and music.

If you’re planning on hosting a MCU festival and want to follow the proper running order of films, you will actually need to begin the proceedings with Captain Marvel. This late in the game producing something so essential is impressive.

Rob Hudson
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While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the center of the maelstrom.

“Captain Marvel” opens on March 7, 2019 in Australian Cinemas.
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At the end of the first film, the powerful Dark wizard Gellert Grindelwald was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander. But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.

In an effort to thwart Grindelwald’s plans, Albus Dumbledore enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD is directed by David Yates and features an ensemble cast led by Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Carmen Ejogo, Poppy Corby-Tuech, with Jude Law and Johnny Depp.

FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD releases in Australian cinemas on November 15, 2018.
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The photo shows Jude Law as a young Albus Dumbledore; Zoe Kravitz as Leta Lestrange, who is engaged to Newt Scamander’s brother; Callum Turner as Newt Scamander’s older brother Theseus Scamander, a celebrated war hero and the Head of the Auror Office at the British Ministry of Magic; and Claudia Kim as Maledictus, the carrier of a blood curse that destines her ultimately to transform into a beast. The cast also features returning players like Ezra Miller as Credence, Katherine Waterston as Tina Goldstein, Eddie Redmayne as Newt Scamander, Dan Fogler as ‘no-maj’ Jacob Kowalski, Alison Sudol as Queenie Goldstein and Johnny Depp as the powerful dark wizard Gellert Grindelward.

Fantastic Beasts: The Crimes of Grindelwald will hit Australian big screens November 15, 2018. Most plot details remain under wraps, but we expect to see Dumbledore enlisting his former student Scamander in an effort to thwart Grindelwald’s plans to raise pure-blood wizards up to rule over all non-magical beings.

The movie is being directed by David Yates, from a screenplay by J.K. Rowling, and produced by David Heyman, J.K. Rowling, Steve Kloves and Lionel Wigram.
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The casting is also spotty with Jude Law not quite inhabiting the role of the big evil, King Vortigern. He just doesn’t fill the role with near enough menace. Charlie Hunnam as Arthur also has moments where his glare reminds one too much of his definitive role as Jax Telller in Sons Of Anarchy. He is more successful as the alpha-male blonde wise cracking smart arse.

The film suffers from a too dark palette and the special effects seem to be missing that final step of rendering and come across less than impressive. Ritchie is still too good of a director not to delver quite a few moments of complete immersion but isn’t able to sustain that high level throughout the film’s 126 minute running time.

One’s appreciation for King Arthur: Legend of the Sword is probably more in line with their fondness for the fantasy genre and the suspension of disbelief necessary to get lost in this tale of Kings, Queens, magic and monsters.

Rob Hudson
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