Large time gaps between runs of the Star Wars films have always existed, but the wait this time feels different, as does the actual movie itself. Star Wars: The Mandalorian and Grogu is a departure on a number of levels. Gone is most of the existential dread that coloured the overarching storyline of the big evil in the Universe caused by the Galactic Empire. It still underpins the story but isn’t the main driving force.
The simplification of the storyline is also reflected in the pace. This new chapter feels more like an action film than anything else. It starts with a set piece that is more John Wick in Outer Space than an exercise in the dynamics of corporate greed. Jon Favreau and Dave Filoni’s original story was intended to be season four of the TV show, but the Hollywood writer’s strike changed the studio’s plans. The end result, however, still feels episodic.
The actual look of the proceedings is different as well. Grogu looks ever inch the puppet that he is, as do several other characters that inhabit this world. The computer generated special effects take a back seat to this old-world charm. His emerging power is also ramping up, albeit slowly, which bodes well for future films. Pedro Pascal as The Mandalorian keeps things simple with a minimum of dialogue and a maximum of physical activity. His task of rescuing Jabba The Hut’s son Rotta (voiced by The Bear’s Jeremy Allen White) is really his main aim.
As is true with so many modern films, this feels a reel too long, but during its 132-minute running time, the onslaught of action gives little respite. One hopes this chapter does well at the Box Office and that the studio shows restraint in the future as they try to re-monetise the Star Wars Universe. The world of giant screen entertainment is a much more interesting place with a good Star Wars film to look forward to.
Rob Hudson
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