The Innocent and the Damned: The films of Luchino Visconti is now showing at GOMA

Born into the luxuriance of Milanese aristocracy, Visconti would nevertheless begin his career by crafting deeply sympathetic portrayals of the downtrodden in early neorealist classics. His work would adopt a newfound resplendence with the vividly envisioned costume drama Senso 1954 – a milieu to which he would repeatedly return, most celebratedly in his Palme d’Or winning masterpiece The Leopard 1963. Endlessly dynamic, his later output grew more openly lurid and psychosexual, with the ...