Matt Hagen (Tom Rhys Harries) is a Californian blonde and good-looking actor on the cusp of superstardom. He is kind to those around him and appears to have a good support structure surrounding him. When he falls afoul of mob boss Markos Szabo (David Dencik) and his moll Theresa (Ruby Sear) and is attacked, his life changes forever.

He is badly disfigured in the altercation and when traditional medicine is unable to help him regain his good looks, he turns to experimental medical scientist Caitlyn Corr (Naomi Ackie). Corr provides an extreme solution, and this transforms both his body and mind into something very different. It gives Matt the ability to morph his appearance to mimic those around him.

The beauty-at-all-costs mentality (and industry), with its almost complete disregard for the actual health of the patient, is laid bare. And as Matt’s mind becomes more and more unhinged, the film becomes a cautionary tale. This version of the DC Universe is graphically and story-wise very bold and assertive. James Gunn and company are not playing nice anymore.
Rob Hudson
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Pitt plays James Belmont, a grizzled military veteran with as many mental scars as those that cover his body. His only companion is Odin, a German Shepherd who is himself a retired military combat dog. He too wears the scars of war with titanium teeth and a prosthetic leg. Odin also suffers from PTSD and has nightmares. Their bond is an unbreakable one forged in battle.

The story begins with Belmont and Odin flying a small aircraft to an incredibly beautiful and isolated river in the wilderness of Alaska. A small respite of their solitude is provided by the appearance of a mountain man character played by J. K. Simmons. His presence has an undertone of danger. When a storm rolls in, Belmont and Odin fly out. During this flight, Belmont suffers a heart attack and the plane crashes, thus beginning the survivalist journey back to civilisation.

The threats to life and limb during this journey are absolutely relentless and rivet your attention. Even though the task seems superhuman, things are kept in the realm of human ability. You grow to absolutely admire the bond between human and canine and the love and care that they feel for each other. You become incredibly invested in their outcome, and at the film’s end it takes you some time to return to normal. This is filmmaking at its most compelling.
Rob Hudson
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The film’s gratuitous gore is also more creepy than scary, and it brings to mind John Carpenter’s 1982 classic The Thing. The look of the film with its saturated colours and minimal sets also fits comfortably within the retro-genre, as does its pace. Its short ninety-minute running time is used to maximum effect, and there is no extraneous exposition.

We start things with Austin Abrams of The Walking Dead and Euphoria fame playing courier Bryan Hodukavich, who is delivering what appears to be a transplant organ to staff at a hospital. After they take possession, he is tasked with another mysterious package that needs to be delivered to Raccoon City General Hospital ASAP. Abrams is excellent, and his comic timing is spot on, and his “ah shucks” innocence is played for maximum effect.

This is the eighth full-length film in the series (and second reboot), and it continues with the mix of fright and fun that bodes well for the future of the franchise. Writer/director Zach Cregger (Weapons & Barbarian) has proven to have a sure hand on the tiller and knows exactly what kind of film he wants to make, the kind that entertains and makes you laugh at the same time!
Rob Hudson
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More than five years in the making, this fascinating film, the first of a two-part epic, looks at the life of one of France’s most famed figures of the 20th century. France collapses and signs the Armistice.

In the midst of the chaos, one man, Charles de Gaulle, refuses to give up. Taking the ultimate gamble he flees to London and seeks to convince the world that the battle for France is neither over or lost. What follows next is a triumphant story of faith, audacity and an unshakeable quest for freedom.

Antonin Baudry has crafted a powerful and dramatic view of a man at the very centre of a turning point in history, on his path to becoming a 20th century leader and cultural icon.
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Writer/director David Robert Mitchell continues his fascination with American suburbia with a Science Fiction yarn that involves dinosaurs and time portals. The story is also a bit of a throwback with its presentation of danger. As the Thunder Lizards and their ilk ramp up their occupational numbers, the violence inherent in their ways is played mostly for comic effect.

A-list actors Anne Hathaway and Ewan McGregor are given roles in which their lives are mired in the downward trajectory of an unhappy union. She is a frustrated writer, and he has problems with employment while secretly day drinking. They endure plain lives with an optimism that feels from another time. When their heroism emerges, it feels organic.

The End of Oak Street reminds one of a time in the cinema universe that would have felt right at home in the days of drive-ins and enjoying on-screen peril while rugged up in your jammies, drinking hot cocoa while being surrounded by your family members and enjoying every minute. It’s the kind of look back at a simpler time that will always feel welcoming.
Rob Hudson
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From producer James Wan, one of the most influential architects of modern horror, and Blumhouse Atomic Monster, the studio behind Backrooms and Obsession, comes a terrifying trip from breakout genre director Rob Savage, into the darkening world of a young girl, Bela, who forms a relationship with a sinister entity in her home who looks uncannily like her own mother.

Academy Award® winner Jessica Chastain (It Chapter Two, The Eyes of Tammy Faye) stars in dual roles as Bela’s mother and as “Other Mommy,” a manifestation of the entity. Jay Duplass (Transparent, Industry) plays Daddo, Bela’s father, and Arabella Olivia Clark (The Housemaid, The Hand that Rocks the Cradle) plays Bela.

The impressive supporting cast includes Actor Award nominee Dichen Lachman (Severance), Emmy and Tony Award nominee Arian Moayed (Succession) and screen legend Karen Allen (Indiana Jones films).

Other Mommy is directed by Rob Savage (Host, The Boogeyman) from a screenplay by WGA award winner Nathan Elston, writer for the Emmy-winning sensation Succession, based on the New York Times bestselling novel Incidents Around the House by Josh Malerman (Bird Box).

The film is produced by James Wan, p.g.a. (Saw, Insidious and Conjuring franchises) of Blumhouse Atomic Monster, and is executive produced by Michael Clear, Judson Scott, Rob Savage, Josh Malerman and Ryan Lewis.
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In an all-new story, Resident Evil follows Bryan (Austin Abrams), a medical courier who unwittingly finds himself in an action-packed, non-stop race for survival as one fateful, horrifying night collapses around him in chaos.

Starring Austin Abrams, Zach Cherry, Kali Reis and Paul Walter Hauser, Resident Evil will be released in Aussie cinemas September 17!
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Matt Hagen’s meteoric rise from Gotham street kid to Hollywood leading man is tragically cut short when a local crime boss’s actions leave him horribly disfigured. Abandoned by his team and with nothing left, Matt seeks out a cutting edge treatment that miraculously returns him to his former self… but also unexpectedly affects his grip on reality, spiraling him down a destructive path of all-consuming revenge.

The film also stars Naomi Ackie, David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

James Watkins directs from a screenplay by Mike Flanagan and Hossein Amini, story by Flanagan, based on characters from DC. The film is produced by Matt Reeves, Lynn Harris, James Gunn and Peter Safran, with Michael E. Uslan, Chantal Nong Vo, Lars P. Winther, Rafi Crohn and Paul Ritchie executive producing.

Watkins’ creative team includes director of photography Rob Hardy, production designer James Price, editor Jon Harris and costume designer Keith Madden. Music is by Volker Bertelmann.

DC Studios Presents a 6th & Idaho Production, a James Watkins Film, “Clayface.” The film will be distributed by Warner Bros. Pictures and released only in cinemas 22 October 2026.
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Based on Peter Heller’s captivating bestseller, “The Dog Stars” features a critically acclaimed ensemble, including Jacob Elordi, Josh Brolin, Margaret Qualley, Allison Janney, Benedict Wong, and Guy Pearce. The screenplay is by Mark L. Smith, based upon the novel by Peter Heller, and the producers are Ridley Scott, p.g.a., Michael Pruss, p.g.a., Mark L. Smith, and Cliff Roberts, p.g.a., with Lily Brooks-Dalton, Brandon Scott Smith, Peter Heller, Aidan Elliott serving as executive producers.

The film tells the story of Hig (Jacob Elordi), a young pilot who, together with a military survivalist, Bangley (Josh Brolin), has carved out an efficient but isolated homestead in a brutal post-apocalyptic world. But when Hig receives a mysterious radio transmission, he ventures into the unknown in search of the hope and humanity he still believes exist.
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Based on Peter Heller’s captivating bestseller, “The Dog Stars” features a critically acclaimed ensemble, including Jacob Elordi, Josh Brolin, Margaret Qualley, Allison Janney, Benedict Wong, and Guy Pearce. The screenplay is by Mark L. Smith, based upon the novel by Peter Heller, and the producers are Ridley Scott, p.g.a., Michael Pruss, p.g.a., Mark L. Smith, and Cliff Roberts, p.g.a., with Lily Brooks-Dalton, Brandon Scott Smith, Peter Heller, Aidan Elliott serving as executive producers.

The film tells the story of Hig (Jacob Elordi), a young pilot who, together with a military survivalist, Bangley (Josh Brolin), has carved out an efficient but isolated homestead in a brutal post-apocalyptic world. But when Hig receives a mysterious radio transmission, he ventures into the unknown in search of the hope and humanity he still believes exist.
www.facebook.com/20thCenturyStudiosAUNZ/