In the early eighties, the musician Bruce Springsteen and his career were at a crossroads. He had strong career momentum with the success of his Born To Run album in 1975 and The River in 1980, but he was far from a happy man. He was struggling, and those were the days when people’s mental health was not a comfortable topic of conversation. 

He felt he had something dark and deeply personal to share with his audience, and this set of songs eventually became the album Nebraska. It was unconventionally recorded (at home in his bedroom and onto a cassette recorder) and presented to his record label with instructions to release no singles and with no touring to support it. In a nod to his and manager Jon Landau’s power, the label went against their strong sense of self-interest and complied.

This story is presented in a bleak manner that strays far from overstatement and relies heavily on its excellent cast. Of particular note is Jeremy Allen White (The Bear) as Bruce; he gets the nuances just right, and his emotive expressions say so much while presenting so little. The support cast of Jeremy Strong as Landau, Odessa Young as on and off girlfriend Faye Romano and Stephen Graham as Springsteen’s abusive and troubled father, who also suffered from mental health issues, are superlative.

While not being particularly fun to watch, the emotions on display are raw and feel real, and its underlying message of acknowledging and looking after one’s mental health is an important one. We are slowly making progress in that struggle, and works like this will help to keep that dialogue alive, but keep in mind that this is also a very effective piece of storytelling. One that features amazing performances and exceptional technical execution.
Rob Hudson
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Director Scott Cooper, who wrote the script for the screen based on the book “Deliver Me from Nowhere” by Warren Zanes, said, “Making ‘Springsteen’ was deeply moving as it allowed me to step inside the soul of an artist I’ve long admired – and to witness, up close, the vulnerability and strength behind his music. The experience felt like a journey through memory, myth, and truth. And more than anything, it was a privilege to translate that raw emotional honesty to the screen, and in doing so, it changed me. I cannot thank Bruce and Jon Landau enough for allowing me to tell their story.”

From 20th Century Studios, “Springsteen: Deliver Me from Nowhere” chronicles the making of Bruce Springsteen’s 1982 “Nebraska” album when he was a young musician on the cusp of global superstardom, struggling to reconcile the pressures of success with the ghosts of his past. Recorded on a 4-track recorder in Springsteen’s New Jersey bedroom, the album marked a pivotal time in his life and is considered one of his most enduring works—a raw, haunted acoustic record populated by lost souls searching for a reason to believe.

Starring Jeremy Allen White as the Boss, the film is written for the screen and directed by Scott Cooper based on the book “Deliver Me from Nowhere” by Warren Zanes. “Springsteen: Deliver Me from Nowhere” also features Jeremy Strong as Springsteen’s long-time confidant and manager, Jon Landau; Paul Walter Hauser as guitar tech Mike Batlan; Stephen Graham as Springsteen’s father, Doug; Odessa Young as love interest, Faye; Gaby Hoffman as Springsteen’s mom, Adele; Marc Maron as Chuck Plotkin; and David Krumholtz as Columbia executive, Al Teller. Arriving only in cinemas October 23, 2025, the film is produced by Cooper, Ellen Goldsmith-Vein, Eric Robinson and Scott Stuber. Tracey Landon, Jon Vein, and Zanes executive produce.
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Set in this tumultuous time frame is the coming of age tale that features Jane at its centre. She is a maid for the Niven family Godfrey (Colin Firth) and Clarrie (Olivia Colman) who have lost a son in the great war and live a very melancholic life. Jane is an orphan and has no family.

She has an affair with a local lad who comes from money, Paul Sheringham played by Josh O’Connor, he of The Crown fame as Prince Charlies. Their affair never becomes public knowledge. This story is told in long lingering shots and strains your ability to stay involved.

With a parable this understated, it could only have come from a British production (even though director Eva Husson is French). Mothering Sunday stays fully in that wheelhouse. It will take some level of dedication to reach its end and the reward on offer ultimately is a sad one.

Rob Hudson
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The events of Graham Swift’s novel take place over the course of one day—the holiday Mothering Sunday. Maid Jane Fairchild (Odessa Young) has the day off, as her employers, Mr. and Mrs. Niven (Colin Firth and Olivia Colman) are attending an event to celebrate the engagement of their neighbours’ son, Paul (Josh O’Connor). Jane is an orphan, so has no mother to spend the day with—but she does have Paul, with whom she’s been having a years-long secret affair. The story unfolds as they spend their final day together as lovers.

Mothering Sunday will be released in Australian cinemas June 2!
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Competition will be drawn June 1, winners will be notified by mail.