Incorporating moments of hand-drawn animation and teen angst alongside contemporary family dynamics sets the film firmly in the current day. Basing almost all the action around the three main female characters, Brie Larson as Carol Danvers, Teyonah Parris as Monica Rambeau and Iman Vellani as Kamala Khan is also a welcome change from the usual testosterone-fueled fare.

The story is not a particularly strong one but the interactions between the three ladies give the work most of its charm. The only male actor with any real screen time is Samuel L. Jackson as Nick Fury and his role is merely there as window dressing. Even the almost always-present threat of world destruction is delivered with a light touch. Heavy going it is not.

In another departure from the norm, the running time is only 105 minutes. This helps the film from overstaying its welcome. As blockbuster movies slowly creep back onto our screens, it remains to be seen if they will still provide the box office punch they had pre-covid. We have enjoyed a more indie-flavoured film approach as of late and that might have refocused audience expectations.
Rob Hudson
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In Marvel Studios’ “The Marvels,” Carol Danvers aka Captain Marvel has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan, aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team up and learn to work in concert to save the universe as “The Marvels.”

The film stars Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Seo-Jun Park, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, and Samuel L. Jackson. Nia DaCosta directs, and Kevin Feige is the producer. Louis D’Esposito, Victoria Alonso, Mary Livanos and Matthew Jenkins serve as executive producers. The screenplay is by Nia DaCosta and Megan McDonnell and Elissa Karasik.

Marvel Studios’ “The Marvels” hits Australian cinemas on November 9.
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Carol Danvers aka Captain Marvel has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe.

When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan, Kamala Khan aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team-up and learn to work in concert to save the universe as “The Marvels.”

Marvel Studios’ “The Marvels” stars Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park Seo-Jun, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, and Samuel L. Jackson.
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But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan, aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team up and learn to work in concert to save the universe as “The Marvels.”

The film stars Brie Larson, Teyonah Parris, Iman Vellani, Samuel L. Jackson, Zawe Ashton and Park Seo-joon. Nia DaCosta directs, and Kevin Feige is the producer. Louis D’Esposito, Victoria Alonso, Mary Livanos and Matthew Jenkins serve as executive producers. The screenplay is by Megan McDonnell, Nia DaCosta, Elissa Karasik and Zeb Wells.

Marvel Studios’ “The Marvels” hits Australian cinemas on November 9, 2023
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For as long as residents can remember, the housing projects of Chicago’s Cabrini-Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy (Yahya Abdul-Mateen II; HBO’sWatchmen, Us) and his partner, gallery director Brianna Cartwright (Teyonah Parris; If Beale Street Could Talk, The Photograph), move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials.

With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini-Green old-timer (Colman Domingo; HBO’sEuphoria, Assassination Nation) exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifying wave of violence that puts him on a collision course with destiny.

Universal Pictures presents, from Metro Goldwyn Mayer Pictures and Jordan Peele and Win Rosenfeld’s Monkeypaw Productions, in association with BRON Creative, Candyman. Candyman is directed by DaCosta, and is produced by Ian Cooper (Us), Rosenfeld and Peele. The screenplay is by Peele & Rosenfeld and DaCosta. The film is based on the 1992 film Candyman, written by Bernard Rose, and the short story “The Forbidden” by Clive Barker. The film’s executive producers are David Kern, Aaron L. Gilbert and Jason Cloth.

Candyman will be released in Australian cinemas August 26!
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Oscar® winner Jordan Peele unleashes a fresh take on the blood-chilling urban legend that your friend’s older sibling probably told you about at a sleepover: Candyman. Rising filmmaker Nia DaCosta (Little Woods) directs this contemporary incarnation of the cult classic.

For as long as residents can remember, the housing projects of Chicago’s Cabrini Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy (Yahya Abdul-Mateen II; HBO’s Watchmen, Us) and his girlfriend, gallery director Brianna Cartwright (Teyonah Parris; If Beale Street Could Talk, The Photograph), move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials.

With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini Green old-timer (Colman Domingo; HBO’s Euphoria, Assassination Nation) exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifyingly viral wave of violence that puts him on a collision course with destiny.

From Universal Pictures and Metro Goldwyn Mayer Pictures, in association with BRON Creative, and Jordan Peele and Win Rosenfeld’s Monkeypaw Productions, Candyman is directed by DaCosta, and is produced by Ian Cooper (Us), Rosenfeld and Peele. The screenplay is by Peele & Rosenfeld and DaCosta. The film is based on the 1992 filmCandyman, written by Bernard Rose, and the short story “The Forbidden” by Clive Barker. The film’s executive producers are David Kern, Aaron L. Gilbert and Jason Cloth.
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