Born into a well-off and large family in Germany (in a city now part of Poland), his father Karl, was a psychiatrist and neurologist and his mother Paula was a teacher. Dietrich was a very intelligent child and ultimately became a theologian. Not all the members of his family agreed with his decision. At 21 years old he completed his Doctorate of Theology from Humboldt University in Berlin.

As played by German actor Jonas Dassler, he is presented as the perfect example of Aryan ideals with his blond hair and blue eyes (the real Bonhoeffer possessed these traits as well). Still, the film’s bleached blonde version of his look is distracting. The pacifism is well represented here but his transition into becoming an activist is muddled. This isn’t helped by the film’s nonlinear nature and the confusion caused by mentally putting the time line in order.

Historians with a knowledge of his life will need to adjust to accommodate the artistic licence taken in presenting his life story. There are several stand-out moments that you hope are true to life such as his introduction to American Jazz in New York City where he joyously gets up on stage and jams with the band. Other scenes highlight the horror of being held captive by the Nazis. The strength of his character is underlined quite effectively although some of his actual accomplishments receive little mention. It’s a flawed representation but still a fascinating one nonetheless.
Rob Hudson
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The formation of new and inventive ways of creating peril is impressive. Even hardcore fans of the franchise will be surprised and delighted with the results as will their ability to pick up on the easter eggs scattered throughout. It successfully sets out for something new while still respecting what has come before.

Rain Carradine (Cailee Spaeny) is a mining worker that gets screwed over by the megacorporation Weyland-Yutani. Having extended her tour of duty by years, she decides to side with her brother Tyler (Archie Renaux) on a crazy scheme to travel to a distant planet that offers a better life than the one found underground.

This involves appropriating parts from a spaceship that appears abandoned in space. Unfortunately, the ship is not completely empty and plays host to some most unwanted inhabitants. Alvarez succeeds in building a tension that never completely dissipates and the imagination used in creating new hurdles to overcome keeps things moving at a fast pace. This is clever filmmaking and should appeal to fans of the franchise and newbies alike.
Rob Hudson
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“Alien: Romulus” takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

The film stars Cailee Spaeny (“Civil War”), David Jonsson (“Agatha Christie’s Murder is Easy”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“The Last of Us”), Spike Fearn (“Aftersun”), Aileen Wu. Fede Alvarez (“Evil Dead,” “Don’t Breathe”) directs from a screenplay he wrote with frequent collaborator Rodo Sayagues (“Don’t Breathe 2”) based on characters created by Dan O’Bannon and Ronald Shusett.

“Alien: Romulus” is produced by Ridley Scott (“Napoleon”), who directed the original “Alien” and produced and directed the series’ entries “Prometheus” and “Alien: Covenant,” Michael Pruss (“Boston Strangler”), and Walter Hill (“Alien”), with Fede Alvarez, Elizabeth Cantillon (“Charlie’s Angels”), Brent O’Connor (“Bullet Train”), and Tom Moran (“Unstoppable”) se ving as executive producers.
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“Alien: Romulus” takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

The film stars Cailee Spaeny (“Civil War”), David Jonsson (“Agatha Christie’s Murder is Easy”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“The Last of Us”), Spike Fearn (“Aftersun”), Aileen Wu. Fede Alvarez (“Evil Dead,” “Don’t Breathe”) directs from a screenplay he wrote with frequent collaborator Rodo Sayagues (“Don’t Breathe 2”) based on characters created by Dan O’Bannon and Ronald Shusett.

“Alien: Romulus” is produced by Ridley Scott (“Napoleon”), who directed the original “Alien” and produced and directed the series’ entries “Prometheus” and “Alien: Covenant”, Michael Pruss (“Boston Strangler”), and Walter Hill (“Alien”), with Fede Alvarez, Elizabeth Cantillon (“Charlie’s Angels”), Brent O’Connor (“Bullet Train”), and Tom Moran (“Unstoppable”) se ving as executive producers.
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The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

The film stars Cailee Spaeny (“Priscilla”), David Jonsson (“Agatha Christie’s Murder is Easy”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“The Last of Us”), Spike Fearn (“Aftersun”), Aileen Wu. Fede Alvarez (“Evil Dead,” “Don’t Breathe”) directs from a screenplay he wrote with frequent collaborator Rodo Sayagues (“Don’t Breathe 2”) based on characters created by Dan O’Bannon and Ronald Shusett.

“Alien: Romulus” is produced by Ridley Scott (“Napoleon”), who directed the original “Alien” and produced and directed the series’ entries “Prometheus” and “Alien: Covenant,” Michael Pruss (“Boston Strangler”), and Walter Hill (“Alien”), with Fede Alvarez, Elizabeth Cantillon (“Charlie’s Angels”), Brent O’Connor (“Bullet Train”), and Tom Moran (“Unstopable”) serving as executive producers.
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From director Raine Allen-Miller, “Rye Lane” is a romantic comedy that stars David Jonsson (“Industry,” “Deep State”) and Vivian Oparah (“Class,” “The Rebel”), as Dom and Yas, two twenty-somethings both reeling from bad break-ups, who connect over the course of an eventful day in South London – helping each other deal with their nightmare exes, and potentially restoring their faith in romance.

Searchlight Pictures, BBC Film, and BFI present “Rye Lane”, a DJ Films and Turnover Films production. Written by Nathan Bryon and Tom Melia, and directed by Raine Allen-Miller, the film is produced by Yvonne Isimeme Ibazebo and Damian Jones. Kharmel Cochrane is the casting director, Olan Collardy is the director of photography, Victoria Boydell is the editor, Anna Rhodes is the production designer, with costume design by Cynthia Lawrence-John, hair and make-up by Bianca Simone Scott, and an original score by Kwes.

The film was developed with the assistance of BBC Film, and funded by Searchlight Pictures, BBC Film and the BFI (awarding National Lottery funding). Executive Producers are Eva Yates and Rose Garnett for BBC Films, Kristin Irving for the BFI, Sophie Meyer, Paul Grindey and Charles Moore.
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