Jordan directs from a screenplay by Keenan Coogler (“Space Jam: A New Legacy”) & Zach Baylin (“King Richard”), from a story by Ryan Coogler (“Black Panther: Wakanda Forever”) and Keenan Coogler & Zach Baylin. It is produced by Irwin Winkler, Charles Winkler, William Chartoff, David Winkler, Ryan Coogler, Michael B. Jordan, Elizabeth Raposo, Jonathan Glickman and Sylvester Stallone. The executive producers are Sev Ohanian, Zinzi Coogler, Nicolas Stern and Adam Rosenberg.

Jordan is joined behind the camera by director of photography Kramer Morgenthau (“Creed II,” “Thor: The Dark World”), production designer Jahmin Assa (“mid90s,” “Angelyne”), editor Tyler Nelson (“The Batman,” “Rememory”), costume designer Lizz Wolf (“Creed II,” “Pacific Rim: Uprising”), with a score by composer Joseph Shirley (“Jackass Forever,” “The Book of Boba Fett”).

Metro Goldwyn Mayer Pictures Presents A Chartoff-Winkler Production, “Creed III,” which will be distributed in North America by MGM and internationally by Warner Bros. Pictures and is set to open in territories beginning 01 March 2023.
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The film also provides further proof (if any more is actually needed) on how fine an actor Jake Gyllenhaal has become. His take on the lead role, that of boxer Billy Hope is absolutely mesmeric. His time in the gym and time spent training to learn the techniques of boxing have paid real dividends.

Gyllenhaal fills the screen with electricity and menace and he makes the most out of what is a rather pedestrian screenplay. Sutter’s ability to plumb the depths of emotion is slight in this instance but as populist entertainment it hits most of the right marks.

This isn’t a story that challenges the viewer but one that can be completely enjoyed by the transformative nature of the performances. Don’t miss this film even if you are not that much of a fan of boxing. As an insight into the human will as told through superlative acting it is throughly engaging.

Rob Hudson
www.facebook.com/roadshow

In his latest film Creed, Sylvester Stallone returns as Rocky Balboa one last time (perhaps) in a surprisingly effective and very visceral boxing film. This time he exists outside the ring as he becomes the mentor to the illegitimate son of one of his greatest opponents.

It first must be said that the film features some extremely graphic faux boxing footage and is not for the weak of stomach. Secondly it dips quite often into populist sentimentality. Within those constraints however, it is a very enjoyable film and mumble as he might, Stallone holds his end up quite admirably.

Michael B. Jordan (Fruitvale Station) as Adonis Johnson is Balboa’s protégé and he really sells the role with his gym sculptured bod and obvious ring training. He isn’t your typical damaged goods either as he has an intelligence and civility that is usually absent in films of this ilk.

The film offers little in the way of surprises but is very entertaining and there are some very good choice of results that add to the viewing pleasure. Not for the faint of heart with it’s audacious boxing footage, it is still very entertaining.

Rob Hudson
www.creedthemovie.com

The film also provides further proof (if any more is actually needed) on how fine an actor Jake Gyllenhaal has become. His take on the lead role, that of boxer Billy Hope is absolutely mesmeric. His time in the gym and time spent training to learn the techniques of boxing have paid real dividends.

Gyllenhaal fills the screen with electricity and menace and he makes the most out of what is a rather pedestrian screenplay. Sutter’s ability to plumb the depths of emotion is slight in this instance but as populist entertainment it hits most of the right marks.

This isn’t a story that challenges the viewer but one that can be completely enjoyed by the transformative nature of the performances. Don’t miss this film even if you are not that much of a fan of boxing. As an insight into the human will as told through superlative acting it is throughly engaging.
Rob Hudson
www.southpawfilm.com