Creatively unfulfilled and facing financial ruin, the fictionalised version of Cage must accept a $1 million offer to attend the birthday of a super fan (Pascal).

When things take a wildly dangerous turn, Cage is forced to live up to his own legend, channelling his most iconic and beloved on-screen characters in order to save himself and his loved ones.

With a career built for this very moment, the Academy Award® winning iconic actor must take on the role of a lifetime: himself.

The Unbearable Weight of Massive Talent will be released in Australian cinemas April 21!
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This tale of what came first, the chicken or the egg is an ideal project for the times. It will create dialogue and opinions and fill a much needed gap in new film releases. Seen as social commentary it is cutting, as entertainment, outrageous and as feminist propaganda, empowering. It does all this and still remains escapist especially in these isolationist times.

The idea of hunting humans for sport has been visited many times before on the big screen but never have the motivations for the hunt be so topical or timely. The current technology that allows our version of social media to have such power and create such pitfalls is very much of today. Its impact on the gestations of events in The Hunt is dramatic.

Seen at home on our brilliant big screens with their voluminous sound systems, The Hunt lacks nothing in visual or audio impact and with our almost insatiable appetite for bigger and better thrills, the timing couldn’t be any better. The enjoyment of the new is intoxicating and one that as things drag on will become more and more important. Good on Universal for not making us wait any longer.

Rob Hudson
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Legendary talk-show host Katherine Newberry (Oscar® winner Emma Thompson) is a pioneer in her field. The only woman ever to have a long-running program on late night, she keeps her writers’ room on a short leash ― and all male. But when her ratings plummet and she is accused of being a “woman who hates women,” Katherine puts gender equality on her to-do list and impulsively hires Molly Patel (Mindy Kaling), a chemical plant efficiency expert from suburban Pennsylvania, as the first and only female on her writing staff.

With rumours swirling that Katherine is being replaced by a younger, hipper male host, she demands that the writers make her funny and relevant again. A lifelong fan, Molly is determined to prove she’s not just a diversity hire, but the one person who can turn her idol’s career around. Going against everything Katherine has staked her reputation on, she urges her to make the show more contemporary, authentic and personal, a move that could make Molly’s career ― or send her back to the chemical plant for good.

Late Night is directed by Nisha Ganatra from a screenplay by Mindy Kaling . It stars two-time Academy Award® winner Emma Thompson, Mindy Kaling, Hugh Dancy, John Lithgow, Max Casella, Denis O’Hare, Reid Scott, Ike Barinholtz, John Early, Paul Walter Hauser and Oscar nominee Amy Ryan.
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