After enduring years of catastrophic product failures at the hands of ACME, Inc., Wile E. Coyote finally fights back.

Teaming up with billboard accident lawyer Kevin Avery (played by Will Forte), he takes on slick corporate counsel Buddy Crane (the one and only John Cena) and ACME, Inc., the profit-obsessed conglomerate behind every one of the Coyote’s chaotic catastrophes. Also, there’s a roadrunner. And dynamite.

Packed with plenty of Looney Tunes mayhem and laughter, get ready for the movie event of the year that MUST be seen on the big screen.
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Competition will be drawn October 2 2026 – winners will be notified by email.

SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM sees the residents of Mossy Bottom Farm looking forward to Halloween – until the clumsy Farmer trashes the Flock’s beloved pumpkin patch!

When Shaun turns MAD SCIENTIST to fix the problem, things rapidly spiral out of control… With The Farmer missing and a wild beast roaming the woods of Mossingham, all the ingredients are in place for a monstrously fun family adventure.

In Cinemas September School Holidays!
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Tomorrow, she finally gets hers: a royal wedding to her very own Prince Alexander. But at the rehearsal dinner, a scheming nobleman invokes an ancient law that forbids any royal from marrying a commoner, and their fairytale grinds to a halt.

With that, the palace springs into action: Alexander and Winston appeal to the nobility, the Queen and Ridley rally the kingdom’s lawyers, and Olivia and Katie scour Torovia’s past for an answer no one else can see.

With time running out and tradition closing in, one question hangs over the kingdom… can true love rewrite the law?

A Royal Wedding: A Royal In Paradise III will be released in Aussie cinemas October 8!
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This Boxing Day, Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan are reunited in Jumanji: Open World, the hilarious final instalment of the globally beloved action-adventure trilogy.

Our heroes have escaped the perilous jungles of Jumanji before, but this time Jumanji breaks free of its console, unleashing its chaos into our world.
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The Glamazonian Express is pulling into the station early, and you’re officially cleared for boarding for our STOP! THAT! TRAIN! – All! Aboard! Preview! at Dendy Cinemas on Friday, 7 August.

Be among the first to witness drag royalty Ginger Minj and Jujubee trade their dreary shifts for a first-class ticket to disaster. With a catastrophic “Stormaganza” threatening to derail the tracks and crash into Florida, these chaotic stewardesses must team up with President Gagwell herself (RuPaul!) to save the day.

It’s a fast, furious, and fiercely funny ride of pure, unadulterated camp.

Check the timetable and lock in your preview tickets before the train leaves the station!

Screening at Dendy Cinemas Coorparoo and Dendy Cinemas Portside from 13 August with opening weekend now on sale.

STOP! THAT! TRAIN! – All! Aboard! Preview!
7 August 2026
Dendy Cinemas Coorparoo and Dendy Cinemas Portside
www.dendy.com.au

Miriam Margolyes, Judy Davis and Jacki Weaver lead the heartfelt new comedy Holy Days, a joyful and uplifting story about an unexpected adventure.

Set in 1970s New Zealand, the film follows a grieving young boy and three eccentric nuns who embark on a chaotic road trip to save their beloved convent before it’s too late. Filled with warmth, humour and plenty of heart, Holy Days is a moving celebration of community, resilience and hope.
www.holydays.com.au

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Directed by horror master Eli Roth and featuring appearances from Snoop Dogg, ICE CREAM MAN is positioned as a bold, edgy, edge-of-your-seat horror event designed to generate strong word-of-mouth and online conversation amongst fans of the genre.

An idyllic summer town descends into chaos when an ice cream man serves children ice cream that transforms them into gruesome killers targeting every adult in town. Three kids who narrowly escape the curse race to uncover the chilling origins of the man behind the jingle before the neighbourhood — and themselves — are consumed by terror.

He serves it cold, and they kill without mercy.
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Dwayne Johnson AKA the Rock, returns as the demigod Maui, and this time he arrives with a head full of luxurious locks! He and Catherine have an easy and very modern rapport, and their riffing off each other provides the film’s backbone of humour. Jemaine Clement continues to inhabit the visage of the giant monster coconut crab, Tamatoa, and the look is bedazzled and spectacularly over-the-top.

Even though this work is considered live action, the majority of the scenery is computer-generated, and it looks spectacular, as do the sea creatures. The Kakamora, those pint-sized, savage pirates, are more cute than threatening and remind one of the Ewoks from the Star Wars world. The monsters of the deep are mostly absent, and the most serious opposition comes from Te Kā, a fiery monster with a softer side.

There is no real departure from the storyline from the first film and fans of that work will feel right at home. The breaking out of the occasional song is less obtrusive than most and does little to dilute the film’s forward momentum. Sitting next to the little one was a lot of fun, and seeing her look of wonderment at the spectacle that was on screen was the highlight of the evening for me.
Rob Hudson
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DreamWorks Animation, the studio that brought you unforgettable bonds between a boy and a dragon in How to Train Your Dragon, an ogre and a donkey in Shrek, and a robot and a gosling in The Wild Robot, now welcomes a dazzling and emotional story about two lifelong best friends who must come together before they drift apart in Forgotten Island.

The new original film is written and directed by Academy Award® nominee Joel Crawford and Januel Mercado and is produced by Academy Award® nominee Mark Swift, the filmmaking team behind Puss in Boots: The Last Wish.

Grammy and Academy Award® winning supernova H.E.R. and Liza Soberano (Lisa Frankenstein, Alone/Together) star as high school graduates Jo and Raissa, who have been best friends since grade school but are now about to embark on separate life paths.

While celebrating their last night together, Jo and Raissa stumble upon a mysterious portal that transports them to the fantastical island of Nakali, packed with magical and mythological creatures they grew up hearing stories about from their Filipino families.

Some of these figures will become friends, some foes. Joined by well-meaning-but- hapless weredog Raww (Dave Franco) and a small-but-mighty pack of pals, Jo and Raissa must face The Dreaded Manananggal (Tony winning icon Lea Salonga), the most feared creature on the island. When they discover that the memories of their entire friendship are the price for returning home, Jo and Raissa will race to find a way to leave the island before they forget each other forever.

The film’s all-star voice cast also includes Emmy nominee Jenny Slate (Marcel the Shell with Shoes On, Dying for Sex), Manny Jacinto (The Good Place, Top Gun: Maverick), BAFTA nominee Dolly de Leon (Triangle of Sadness, Ghostlight), global comedy superstar Jo Koy (Haunted Mansion, Jo Koy: Live from Brooklyn) and Emmy winner Ronny Chieng (The Daily Show, M3GAN).

DreamWorks Animation’s Forgotten Island is distributed by Universal Pictures.
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Starting with a wonderful animated homage to the groundbreaking work of Charles Chaplin, this sets things off in a unique way. Old-school fans will pick up on the references to films like Modern Times and The Great Dictator, while the rest of the audience will hopefully react with a smile. There is a purity of intent in giving a nod to the past that runs counter to most American animated output.

There is also risk in having the majority of the language being used sounding almost indecipherable, but as typoglycemia works on the written text, you are soon able to understand way more than you originally thought you could. Being set in the roaring twenties also opens things up as you catch the little yellow orbs through a mythical jaunt that lands them in Hollywood during its transition from the silent era to the town’s Golden Age.

The love and care for the medium shines through, and its wild swings of imagination make one think that there was very little influence of the dreaded test market screenings that often blight originality in this art form. It will be very interesting to see if this unique approach yields rewards in a genre that often rewards conservative filmmaking.
Rob Hudson
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