The work has some visceral thrills that are only enhanced by the element of the unknown. The first of those moments took me by complete surprise and that feeling was more than intriguing. Having no idea of where it was going from that point on was liberating.

That the filmakers were able to weave an almost touching love story into the mix following that shocking moment is a testament to the craft on display here. Those shocks are used so sparingly, their impact is never diminished. You actually have the luxury of occasionally forgetting what’s at the core of the proceedings.

Timothée Chalamet adds another chapter to his burgeoning resume of interesting roles and Taylor Russell more than holds her own. Their union is one built on the most unusual premise. If you can try to see this with no advanced knowledge the results will be intensified.
Rob Hudson

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Bones and All is a story of first love between Maren (Russell), a young woman learning how to survive on the margins of society, and Lee (Chalamet), an intense and disenfranchised drifter, as they meet and join together for a thousand-mile odyssey which takes them through the back roads, hidden passages, and trap doors of Ronald Reagan’s America. But despite their best efforts, all roads lead back to their terrifying pasts and to a final stand that will determine whether their love can survive their otherness.

Directed by Luca Guadagnino and written by his longtime collaborator David Kajganich (Suspiria, A Bigger Splash), the pic is adapted from the Camille DeAngelis novel and stars Timothée Chalamet, Taylor Russell, Mark Rylance, André Holland, Jessica Harper, Michael Stuhlbarg, David Gordon-Green, Francesca Scorsese and Chloë Sevigny. Bones and All is only in Cinemas November 24.
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