Single Asian Female Theatre Review
The laughter it generates makes one look inside to the prejudices that must be overcome in all their absurdity and backwardness. It plays with the acceptance of stereotypes with a wit about itself that puts humour first to make the message more effective. Nobody really learns from shouting.
Rapid fire dialogue peppered with current jargon and the occasional f-bomb gives momentum while a clever set design reinforces visual purpose. The story revolves around family and fortune, some good, ...
The King And I: from the Palladium Review
Rendered in high definition and featuring the best seats in the house, the presentation is almost faultless. Kelli O’Hara as Anna is strong of voice and her expressive stage craft is outstanding. Seeing Ruthie Ann Miles return to stage as Lady Thiang is very inspiring after the tragedies she’s had to endure and Ken Watanabe puts in a workman like take on the King of Siam. The songs are as memorable as ever and the young cast are uniformly cute.
The multi-award ...
The Mathematics of Longing Theatre Review
The Mathematics of Longing tackles this conundrum head on with the kind of flourish that round out a multi-media rampage as only live theatre can. Lights and motion and sound sometimes coming at you from multiple sources all at once.
The cacophony of five voices battling for your attention and that one loan power chord to argument the truth. There are many equations that equal results that charge the mind with as much force as some of our baser instincts charge the body.
Briefs Close Encounters Theatre Review
Dreams of acceptance on their own terms with a blasting away of the traditional sense. The sense of burlesque being just for girls or the circus with all its tricks being defined by just one thing.
Their mix of physical endeavour, both high risk and high entertainment was driven by high volume sounds that were perfect to help get your grind on. The show was light on commentary but the few words were chosen well and were both funny and forceful.
If you can’t ...
Twelfth Night Theatre Review
The staging and set design was a star of the night with a rotating floor that gave the audience an almost voyeuristic view of the proceedings and the incorporation of modern pop songs, compliments of Tim Finn (Split Enz and Crowded House) gave the play an accessibility more in line with a modern audience’s level of appreciation.
The work’s comic take on mistaken identity and misguided love was given with a high energy intensity and more than a nod and wink to the audience. Break down ...