ELVIS is an epic, big-screen spectacle from Warner Bros. Pictures and visionary, Oscar-nominated filmmaker Baz Luhrmann that explores the life and music of Elvis Presley, starring Austin Butler and Oscar winner Tom Hanks.

A thoroughly cinematic drama, Elvis’s (Butler) story is seen through the lens of his complicated relationship with his enigmatic manager, Colonel Tom Parker (Hanks). As told by Parker, the film delves into the complex dynamic between the two spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the significant and influential people in Elvis’s life, Priscilla Presley (Olivia DeJonge).

Starring alongside Hanks and Butler, award-winning theatre actress Helen Thomson (“Top of the Lake: China Girl”, “Rake”) plays Elvis’s mother, Gladys, Richard Roxburgh (“Moulin Rouge!” “Breath”, “Hacksaw Ridge”) portrays Elvis’s father, Vernon, and DeJonge (“The Visit”, “Stray Dolls”) plays Priscilla. Luke Bracey (“Hacksaw Ridge”, “Point Break”) plays Jerry Schilling, Natasha Bassett (“Hail, Caesar!”) plays Dixie Locke, David Wenham (“The Lord of the Rings” Trilogy, “Lion”, “300”) plays Hank Snow, Kelvin Harrison Jr. (“The Trial of the Chicago 7”, “The High Note”) plays B.B. King, Xavier Samuel (“Adore”, “Love & Friendship”, “The Twilight Saga: Eclipse”) plays Scotty Moore, and Kodi Smit-McPhee (“The Power of the Dog”) plays Jimmie Rodgers Snow.

Also in the cast, Dacre Montgomery (“Stranger Things”, “The Broken Heart Gallery”) plays TV director Steve Binder, alongside Australian actors Leon Ford (“Gallipoli”, “The Pacific”) as Tom Diskin, Kate Mulvany (“The Great Gatsby”, “Hunters”) as Marion Keisker, Gareth Davies (“Peter Rabbit”, “Hunters”) as Bones Howe, Charles Grounds (“Crazy Rich Asians”, “Camp”) as Billy Smith, Josh McConville (“Fantasy Island”) as Sam Phillips, and Adam Dunn (“Home and Away”) as Bill Black.

Elvis – will be released in Australian cinemas June 23!
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In the movie, Oscar-nominated filmmaker Luhrmann (“The Great Gatsby,” “Moulin Rouge!”) will explore the life and music of Presley, through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker, played in the film by two-time Oscar winner Tom Hanks (“Forrest Gump,” “Philadelphia”). The story will delve into their complex dynamic spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America.

Luhrmann stated, “I knew I couldn’t make this film if the casting wasn’t absolutely right, and we searched thoroughly for an actor with the ability to evoke the singular natural movement and vocal qualities of this peerless star, but also the inner vulnerability of the artist. Throughout the casting process, it was an honor for me to encounter such a vast array of talent. I had heard about Austin Butler from his stand-out role opposite Denzel Washington in The Iceman Cometh on Broadway, and through a journey of extensive screen testing and music and performance workshops, I knew unequivocally that I had found someone who could embody the spirit of one of the world’s most iconic musical figures.”

Butler made his Broadway debut in 2018 opposite Washington in Eugene O’Neill’s “The Iceman Cometh,” under the direction of George C. Wolfe, and received rave reviews for his work in the role of “lost boy” Don Parritt. He will be seen later this month opposite Leonardo DiCaprio, Brad Pitt and Margot Robbie in Quentin Tarantino’s “Once Upon a Time in Hollywood.” Butler, who also has extensive television credits, can currently be seen on the big screen alongside Bill Murray and Adam Driver in Jim Jarmusch’s “The Dead Don’t Die.”

Luhrmann will direct from the current screenplay written by Luhrmann and Craig Pearce. Luhrmann will also produce, alongside multiple-Oscar winner Catherine Martin (“The Great Gatsby,” “Moulin Rouge!”), who will once again serve as production designer and costume designer on the film, Gail Berman, Patrick McCormick and Schuyler Weiss. Andrew Mittman will executive produce.

Principal photography will begin early next year, with filming taking place in Queensland, Australia with the support of the Queensland Government, Screen Queensland and the Australian Government’s Producer Offset program. The film will be distributed worldwide by Warner Bros. Pictures and by Roadshow Films in Australia and New Zealand.
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Now marking forty years from its initial release on July 7 in 1974 comes an expanded version of Recorded Live On Stage In Memphis with both extra tracks and a complete second version of the show from a test run through that was recorded. Drop into any Elvis live recording from this period and you get a real mixed bag. First it must be stated that Elvis always surrounded himself with kick ass musicians and this period was no exception with a powerhouse band that included guitar legend James Burton. Now in regards to how much swivel hips actually let the band burn it down, he keep them on a pretty short leash.

Elvis shows were always populist endeavours and for every moment of greatness there were equal moments of real cheese, like the stop and start nature of Fever, designed just to let the ladies in the front row get their scream on. Elsewhere there are charts written for horns and background vocals that are not exactly pushing the boundaries but they start to make sense when you get into the showman mindset. As an exercise in nostalgia they were representative of the times.

Listened to all this with today’s sensibilities requires you to look a little more closely. For under the surface lies a singer who still had his vocal chops and while his song selection was often times suss, he imbued the material with a unique delivery all his own and cooking beneath him was a band that knew how to groove and get away with some real musician moments while not freaking the boss out. For those with even a passing interest in giving Elvis and his live music a go, start with Elvis: The ’68 Comeback Special and then spin this release. After that you can drop in just about anywhere to complete the picture.

Rob Hudson
www.elvis.com