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	<title>modmove &#187; Twelfth Night</title>
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		<title>Twelfth Night Theatre Review</title>
		<link>https://modmove.com/reviews/twelfth-night-theatre-review/</link>
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		<pubDate>Fri, 04 May 2018 16:49:30 +0000</pubDate>
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				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Brisbane]]></category>
		<category><![CDATA[Live Music]]></category>
		<category><![CDATA[QPAC]]></category>
		<category><![CDATA[Queensland Theatre]]></category>
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		<category><![CDATA[Twelfth Night]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://modmove.com/?p=6403</guid>
		<description><![CDATA[The staging and set design was a star of the night with a rotating floor that gave the audience an almost voyeuristic view of the proceedings and the incorporation of modern pop songs, compliments of Tim Finn (Split Enz and Crowded House) gave the play an accessibility more in line with a modern audience’s level [&#8230;]]]></description>
				<content:encoded><![CDATA[<div><p class='lead'>The Bard goes round and round. 400 years later and a new approach to one of William Shakespeare’s more whimsical efforts, Twelfth Night, gives his work more relevance than ever. The witty repartee (after one gets the cadence sorted) still stands out and this time the effort is buttressed by technology and approach.</p></div>
<div>The staging and set design was a star of the night with a rotating floor that gave the audience an almost voyeuristic view of the proceedings and the incorporation of modern pop songs, compliments of Tim Finn (Split Enz and Crowded House) gave the play an accessibility more in line with a modern audience’s level of appreciation.</p>
</div>
<div>The work’s comic take on mistaken identity and misguided love was given with a high energy intensity and more than a nod and wink to the audience. Break down that forth wall. The acting and singing was uniformly excellent with a few stand outs of mention. Christen O’Leary as the sarcastic Malvolia delivered her lines with a wicked sense of glee and using multiple part harmonies were useful to bury the less strong voices while delivering Finn’s catchy choruses. Also having a live band on stage both playing and interacting with the rest of the cast was a novel and successful idea.</div>
<p>&nbsp;</p>
<p style="text-align: center;"><script src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js" async=""></script><!-- modmove post link ads --> <ins class="adsbygoogle" style="display: block;" data-ad-format="link" data-ad-slot="4069408586" data-ad-client="ca-pub-9550766590923202"></ins><script>// <![CDATA[
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<p>&nbsp;</p>
<div>Bringing Shakespeare’s work to a modern audience (with a proclivity to high levels of bombast and low levels to nuance) means now more than ever a unique approach is needed. Twelfth Night breaths life into the Bard’s output and will hopefully lead to extended periods of relevance.</div>
<div><strong><br />
Twelfth Night is currently playing at the Playhouse QPAC, Brisbane until 19 May 2018.</strong><br />
For more information visit <a href="http://www.qpac.com.au" target="_blank">www.qpac.com.au</a> or <a href="http://www.queenslandtheatre.com.au/" target="_blank">www.queenslandtheatre.com.au</a></div>
<div></div>
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		<title>Tim Finn writes new songs for Shakespeare&#8217;s best comedy &#8211; Twelfth Night!</title>
		<link>https://modmove.com/theatre/tim-finn-writes-new-songs-for-shakespeares-best-comedy-twelfth-night/</link>
		<comments>https://modmove.com/theatre/tim-finn-writes-new-songs-for-shakespeares-best-comedy-twelfth-night/#comments</comments>
		<pubDate>Tue, 17 Apr 2018 16:11:40 +0000</pubDate>
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				<category><![CDATA[News]]></category>
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		<category><![CDATA[Brisbane]]></category>
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		<category><![CDATA[Twelfth Night]]></category>

		<guid isPermaLink="false">http://modmove.com/?p=6272</guid>
		<description><![CDATA[Opening on April 24 in the Playhouse at QPAC, Queensland Theatre’s Twelfth Night stars a rollcall of the very best Shakespearean specialists including performing with a live band onstage under the inspired directorship of Sam Strong. They will bring Shakespeare’s hilarious and ageless characters to life, with the music of Tim Finn providing an unparalleled [&#8230;]]]></description>
				<content:encoded><![CDATA[<p class='lead'>The collaboration continues &#8211; music legend Tim Finn has composed more than 12 new songs for Queensland Theatre’s production of Shakespeare’s Twelfth Night, with Director Sam Strong promising a Twelfth Night like audiences have never seen or heard it before. </p>
<p>Opening on April 24 in the Playhouse at QPAC, Queensland Theatre’s Twelfth Night stars a rollcall of the very best Shakespearean specialists including performing with a live band onstage under the inspired directorship of Sam Strong. They will bring Shakespeare’s hilarious and ageless characters to life, with the music of Tim Finn providing an unparalleled soundtrack to one of the Bard’s most appealing tales.</p>
<p>Sam Strong explains, “our starting point for this Queensland Theatre production of Twelfth Night is how central music is to the play. Music is at the absolute heart of Twelfth Night. It’s Shakespeare’s most musical play, peppered with songs with his lyrics, beginning and ending with music, and opening with the famous line “if music be the food of love, play on.”</p>
<p>This is Shakespeare’s Twelfth Night with a musical component much larger than people would’ve seen before – and that musical component just happens to be provided by music legend Mr Tim Finn.</p>
<p>This is Tim’s second collaboration with Queensland Theatre after the record-breaking, award-winning and utterly brilliant Ladies in Black.</p>
<p>“I spoke to Tim about writing music for the Shakespearean songs and he said he would have a read. What he came back with was so much more than I ever imagined – beautiful versions of the original songs, half a dozen new songs and scenes turned into songs.”</p>
<p>“I think why Tim was so inspired by the play is that it fits very neatly with his body of work and preoccupations as a songwriter and musician,” said Sam. “On the one hand, it’s a delightful celebration of the thrill of falling in love. On the other hand, it’s a ballad that reflects on the pain of getting older or being left behind.”</p>
<p>&nbsp;</p>
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<p>&nbsp;</p>
<p>“Tim really responded to the melan-comedy aspect in Twelfth Night and his music hits just the right tonal balance between darkness and light. It’s also incredibly musically varied, at times mischievous and playful and at other times heartbreaking.</p>
<p>Sam said Twelfth Night was a great vehicle for actors and comedians.</p>
<p>“We have the absolute A-Team of Shakespearean specialists, plus actors who know each other very well and already have chemistry: Liz Buchanan, Sandro Colarelli, Jason Klarwein, Bryan Probets, Colin Smith, and Kevin Spink. Because music is so central, the cast will be carrying quite a significant singing load, so it is wonderful that we have triple-threat performers like Kat McIntyre, Kurt Phelan, and of course the acclaimed Christen O’Leary who will be playing a cross-gendered Malvolio, or Malvolia!”</p>
<p>“I’m also thrilled to be welcoming Jessica Tovey back to the company after her tour de force performance in Constellations last year. When Jessica wasn’t on stage all around Queensland with Constellations last year, she was on stage all around Australia playing a critically acclaimed Portia in Bell Shakespeare’s Merchant of Venice. So, Jessica comes to us Shakespearean match-fit and it will be a fantastic opportunity for Brisbane audiences to see an actor at the height of her powers playing one of Shakespeare’s great heroines.”</p>
<p>“Finally, for Twelfth Night we welcome acclaimed international set and costume designer Tracy Grant Lord for her Queensland Theatre debut. Queensland audiences may have seen her work on Queensland Ballet’s A Midsummer’s Night Dream. Tracy is a designer who has a unique sense of flair and magic, and she will be creating the lavish and beautiful world of Illyria.”</p>
<p><strong>Twelfth Night</strong><br />
28 April &#8211; 19 May 2018<br />
QPAC, Brisbane<br />
<a href="http://www.qpac.com.au" target="_blank">www.qpac.com.au</a></p>
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		<title>Shakespeare meets Tim Finn for Queensland Theatre’s Twelfth Night at QPAC this April!</title>
		<link>https://modmove.com/theatre/shakespeare-meets-tim-finn-for-queensland-theatres-twelfth-night-at-qpac-this-april/</link>
		<comments>https://modmove.com/theatre/shakespeare-meets-tim-finn-for-queensland-theatres-twelfth-night-at-qpac-this-april/#comments</comments>
		<pubDate>Tue, 20 Mar 2018 16:30:47 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Brisbane]]></category>
		<category><![CDATA[QPAC]]></category>
		<category><![CDATA[Queensland Theatre]]></category>
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		<category><![CDATA[Tim Finn]]></category>
		<category><![CDATA[Twelfth Night]]></category>

		<guid isPermaLink="false">http://modmove.com/?p=5894</guid>
		<description><![CDATA[A shipwreck sets in motion a wild and whimsical tale of mistaken identities, separated twins, rebellious servants, unrequited love and a pair of ridiculous yellow stockings. After the twelfth night, the land of Illyria will never be the same. &#160; &#160; Washed ashore and separated from her twin brother, the plucky Viola must learn to [&#8230;]]]></description>
				<content:encoded><![CDATA[<p class='lead'>Tim Finn writes new songs for Shakespeare’s dark comedy!</p>
<p>A shipwreck sets in motion a wild and whimsical tale of mistaken identities, separated twins, rebellious servants, unrequited love and a pair of ridiculous yellow stockings. After the twelfth night, the land of Illyria will never be the same.</p>
<p>&nbsp;</p>
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<p>&nbsp;</p>
<p>Washed ashore and separated from her twin brother, the plucky Viola must learn to survive alone in an exotic foreign country. Disguising herself as a man, she quickly becomes entangled in a web of amorous pursuits gone awry. As Cupid’s arrows send dukes and countesses running in disastrous directions, a wacky entourage of servants and drunken freeloaders watch on in amusement. All the while, Viola must fight to ensure nothing blows her cover.</p>
<p>Shakespeare’s hilarious and lovable characters are brought to life through all new songs by legendary composer Tim Finn (Ladies in Black, Split Enz, Crowded House) and a cast of comedic greats including Jason Klarwein, Christen O’Leary and Jessica Tovey.</p>
<p><strong>Twelfth Night</strong><br />
28 Apr to 19 May 2018<br />
QPAC, Brisbane<br />
<a href="https://www.qpac.com.au/" target="_blank">www.qpac.com.au</a></p>
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