The exhibition comprises seven thematic sections that explore the pharaoh’s roles and duties, including as the high priest officiating in temples, the head of the country’s administration, the leader of the army and the head of the royal family. The pharaohs were responsible for protecting Egypt against its enemies and ensuring universal order; they ruled the Two Lands – Upper and Lower Egypt – from the 1st Dynasty (c. 3000 BCE) until the Roman conquest in 30 BCE.

From imagery on rings, bracelets and personal treasures, to statues and monuments of colossal scale, the pharaohs presented an idealised image of themselves as invincible warriors and fervent worshippers of the gods, who held a unique position as intermediaries between these divine beings and the rest of humanity. Nevertheless, behind these idealised representations the reality of kingship was much more complex. Not all the pharaohs were male, or even Egyptian. Despite the king’s supreme status as ruler over all, Egypt was periodically wracked by civil war, conquered by foreign powers and even ruled by competing kings. Through a carefully curated selection of exceptional works, Pharaoh will explore the realities, mythologies and iconographies of kingship in ancient Egypt.

Melbourne Winter Masterpieces 2024 – Pharaoh Exhibition
14 June – 6 October 2024
National Gallery of Victoria, Melbourne
www.ngv.vic.gov.au

Exclusively developed for the NGV by the Centre Pompidou and the Musée national Picasso-Paris, the exhibition features over 80 works by Picasso alongside over 100 works by more than 50 of his contemporaries, drawn from premier French national collections, as well as the NGV Collection. Audiences will also have the opportunity to discover a rich selection of works by artists rarely exhibited in Australia, including Natalia Goncharova, Julio González, Wifredo Lam, Suzanne Valadon and Maria Helena Vieira da Silva.

Curated by noted scholar of 20th century painting Didier Ottinger, Deputy Director of the Musée national d’art moderne, Centre Pompidou, Paris, The Picasso Century examines the diverse influences, encounters and collaborative relationships that steered Picasso through many distinct artistic periods, such as his Blue Period, Cubism and Surrealism, and draws lines between Picasso’s famous creations and the world around him.

By exploring Picasso’s career through his personal, artistic and intellectual engagement with his peers, the exhibition provides a unique insight into the artistic legacy of one of the 20th century’s most influential and celebrated artists, as well as the community of artists from which he emerged.

Twelve thematic sections organise The Picasso Century, which trace the many distinct periods that shaped the artist’s career over more than seven decades, while also situating his work within a broader artistic and geographical context. Each exhibition section provides a nuanced perspective on a rich century of artistic experiment, in which Picasso stands prominently among many innovators.

The beginning of the exhibition explores Picasso’s formative years, which encapsulate significant artistic developments, most notably Cubism, the development of which Picasso led with Georges Braque. Considered by many the ‘experiment’ that most radically transformed 20th century art, Cubism saw Western art move away from representing likeness and, among many innovations, introduced multiple and simultaneous perspectives into a composition, resulting in the style’s recognisable fragmented imagery.

The Picasso Century also examines Picasso’s place within the multicultural crucible that was inter-war Paris, and his interaction with other artists and writers including André Breton, Jean Cocteau and Alberto Giacometti. The exhibition will be particularly rich with works from Picasso’s Surrealist period, presented alongside works by many other artists associated with the movement, including Kay Sage, Max Ernst, Salvador Dalí, Giorgio de Chirico and André Masson.

The final sections of the exhibition explore Picasso’s work in an increasingly international art world post–1945 and examines the contested artistic output towards the end of his career. His work of the 1950s, 1960s and 1970s are positioned alongside later generations of painters, including Francis Bacon and Willem de Kooning.

The inevitable question of Picasso’s legacy in the 21st century will be posed through the inclusion of the video I see a woman crying, 2009 by Rineke Dijkstra. This engaging contemporary work invites reflection on Picasso’s position as a point of reference for all who seek to understand the history of 20th century art.

Melbourne Winter Masterpieces® – The Picasso Century Exhibition
10 June – 9 October 2022
NGV International, Melbourne
www.ngv.vic.gov.au

The exhibition, presented by the Hermitage Museum, National Gallery of Victoria and Art Exhibitions Australia, is exclusive to Melbourne as part of the Melbourne Winter Masterpieces series.

The Premier of Victoria, the Hon. Daniel Andrews MP said: ‘Masterpieces from the Hermitage: The Legacy of Catherine the Great will showcase treasures from one of the largest, oldest and most visited museums in the world. Another major event for Melbourne, this exhibition will provide visitors with a once-in-a-lifetime opportunity to see first-hand the extraordinary personal collection of Catherine the Great, drawn from the Hermitage Museum, St Petersburg.’

NGV Director, Tony Ellwood said, ‘This exhibition celebrates the tenacity and vision of a true innovator in the arts. Catherine the Great’s inexhaustible passion for the arts, education and culture heralded a renaissance, leading to the formation of one of the world’s great museums, the Hermitage.’

‘We are delighted that we have the good fortune of bringing one of the world’s most important collections to Australian audiences. The exhibition is a rare opportunity to be immersed in the world of Catherine the Great and her magnificent collection of art,’ Tony Ellwood said.

Catherine the Great’s reign from 1762 to 1796 was known as the golden age and is remembered for her exceptional patronage of the arts, literature and education.

Of German heritage, Catherine the Great was well connected in European art and literature circles. She saw herself as a reine-philosophe (Philosopher Queen), a new kind of ruler in the Age of Enlightenment. Guided by Europe’s leading intellectuals, such as the French philosophers Voltaire and Diderot, she sought to modernise Russia’s economy, industry and government, drawing inspiration both from classical antiquity and contemporary cultural and political developments in Western Europe.

A prolific acquirer of art of the period, Catherine the Great’s collection reflects the finest contemporary art of the 18th century as well as the world’s best old masters of the time, with great works by French, German, Chinese, British, Dutch and Flemish artists. Notable in this exhibition are entire groups of works acquired from renowned collections from France, Germany and England representing the best collections offered for sale at the time.

Exquisite decorative arts will be brought to Australia for this exhibition, including 60 items from the Cameo Service of striking enamel-painted porcelain made by the Sèvres Porcelain Manufactory in Paris. Commissioned by Catherine the Great for her former lover and military commander, Prince Grigory Potemkin, the dinner service features carved and painted imitation cameos, miniature works of art, based on motifs from the French Royal collection.

Director of the Hermitage Museum, Mikhail Piotrovsky said, ‘These outstanding works from the personal collection of Catherine the Great represent the crown jewels of the Museum. It was through the collection of these works and Catherine the Great’s exceptional vision that the Hermitage was founded. Today it is one of the most visited museums in the world. We are very pleased to be able to share these precious works with Australian audiences at the 250-year anniversary of this important institution.’

Catherine the Great’s love of education, art and culture inspired a period of enlightenment and architectural renaissance that saw the construction of the Hermitage complex. This construction includes six historic buildings along the Palace Embankment as well as the spectacular Winter Palace, a former residence of Russian emperors. On view in the exhibition will be remarkable drawings by the Hermitage’s first architects Georg Velten and Giacomo Quarenghi, complemented by excellent painted views of the new Hermitage by Benjamin Patersen. These, along with Alexander Roslin’s majestic life-size portrait of Catherine, set the scene for a truly spectacular exhibition.

Visitors to the exhibition will be able to immerse themselves in Catherine the Great’s world evoking a sensory experience of a visit to the Hermitage Museum in St Petersburg. The exhibition design will have rich treatments of architectural details, interior furnishings, wallpapers and a colour palette directly inspired by the Hermitage’s gallery spaces. Enveloping multimedia elements will give visitors a sense of being inside the Hermitage, evoking the lush and opulent interiors.

The Hermitage Museum was founded in 1764 by Catherine the Great and has been open to the public since 1852. With 3 million items in its holdings, the Hermitage is often regarded as having the finest collection of paintings in the world today. In 2014, The Hermitage celebrated its 250-year anniversary and opened a new wing of the museum with 800 rooms dedicated to art from the 19th to 21st centuries.

The exhibition is organised by The Hermitage Museum, St Petersburg in association with the National Gallery of Victoria and Art Exhibitions Australia.

Masterpieces from the Hermitage: The Legacy of Catherine the Great is supported by the Australian Government International Exhibitions Insurance (AGIEI) Program. This program provides funding for the purchase of insurance for significant cultural exhibitions. Without AGIEI, the high cost of insuring significant cultural items would prohibit this major exhibition from touring to Australia.

The NGV also acknowledges the support of Victorian Major Events Company and Mazda Australia for their assistance in realising this important exhibition.

Masterpieces from the Hermitage: The Legacy of Catherine the Great will be at NGV International from 31 July – 8 November 2015 and will be presented alongside the David Bowie is exhibition at the Australian Centre for the Moving Image as part of the 2015 Melbourne Winter Masterpieces series.

Melbourne Winter Masterpieces 2015 Masterpieces from the Hermitage: The Legacy of Catherine the Great
31 July 2015 – 8 November 2015
NGV International, Melbourne
www.ngv.vic.gov.au