The Three Musketeers touches on the timeless themes of integrity, a sense of duty and brotherhood but also includes kick-ass sword fights and more than its fair share of damsels in distress. With this new (2023) take on the classic, The Three Musketeers – Part I: D’Artagnan and Part 2: Milady, it’s fitting to be shepherded by French director and second-generation movie man Martin Bourboulon.

These two films were major productions in France and as such feature extravagant budgets and large casts with big stars. In keeping with its country of origin, the accuracy of its look is paramount and Bourboulon and cinematographer Nicolas Bolduc were unafraid to set the action in dark and dangerous surroundings. They have created a world best seen in a very dark room so you can revel in the minute detail. It is also unsentimental when dispatching some of its main characters.

Having never had an issue with sub-titles, it must be noted that this is a work that was made for many markets in the world and as such the act of reading to keep up is very easy as the screen is never overcrowded with text. The emotional content is also very apparent by the actor’s skill. Thoroughly enjoyable from start to finish, this level of entertainment demands the viewing of its sister part two Milady, which will be released in Aussie cinemas June 6!
Rob Hudson
www.facebook.com/Palacecinemas/

Lyon, present day. When widowed marine biologist Abel (Garrel) learns that his impulsive mum Sylvie (Anouk Grinberg) is once again re-marrying – this time to an inmate she met whilst teaching theatre in prison – he’s much more than uncomfortable. Doubting that convicted burglar Michel (Roschdy Zem) is capable of turning over a new leaf, Abel’s protective streak kicks in, and so with the help of his best friend Clémence (a sensational Noémie Merlant), he begins tailing his new stepfather’s movements.

Their amateur sleuthing is quickly uncovered by Michel and triggers an unlikely – and bold – business proposition for them both…

Joyfully paying homage to the great crime capers of the French New Wave, and partly inspired by events from his own life, Garrel’s witty and beautifully constructed film is a delirious mix of comedy, romance, suspense and action, with several twists too good to spoil.

Selected as the special Gala Screening to celebrate the 75th Anniversary of the Cannes Film Festival – where it drew a thunderously positive response – this hilarious, quintessentially French comedy aims to please and does so effortlessly.
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