The Hoodoo Gurus will perform an exclusive one-off show at the Powerhouse Museum and a new line up of cutting edge, innovative performances will be held across the city at new venues Goodgod Small Club, Oxford Art Factory and Freda’s, with the Seymour Centre, The Basement, The Argyle and Barrio Cellar part of the line-up again in 2015.

Part of the Vivid Music program, Vivid LIVE at the Sydney Opera House features a 10-night run of exclusive Sydney-only performances and for the first time will also include two large scale outdoor events, internal light projections and an event for kids and families. Features include four exclusive performances from Morrissey, Daniel Johns in his international solo debut, Sufjan Stevens in his only Australian performances and FCX – 10 Years of Future Classics featuring Flume and Flight Facilities.

With a line-up of heavy-hitting speakers, Vivid Ideas introduces The Game Changers, a new talk series this year headlined by three global influencers: multi Emmy-winning writer Matthew Weiner, series creator and executive producer of Mad Men and former executive producer and writer on The Sopranos; Grammy-winning designer Stefan Sagmeister, whose clients include the Rolling Stones, Lou Reed and the Guggenheim Museum; and entrepreneur and publisher Tyler Brûlé, founder of the world-famous magazines Wallpaper and Monocle.

Vivid Sydney – Light, Music and Ideas Festival
22 May – 8 June 2015
Various Venues around Sydney
www.vividsydney.com

It celebrates Skyspaces, viewing chambers that affect our perception of the sky, and surveys Turrell’s life work, Roden Crater, a naked eye observatory in an extinct volcano on the edge of the Painted Desert, Arizona. The exhibition follows three highly successful shows throughout 2013—at the Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, and the Guggenheim in New York—with works from LACMA’s tour and spectacular installations purpose-built for Canberra.

Since the 1960s James Turrell has made art from light. He studied mathematics and perceptual psychology, and his background as a Quaker and training as a pilot also inform his practice. After his first sculptures using fire, Turrell began to construct projections that produce illusionistic geometric shapes. Afrum (white) 1966, for example, appears as a hovering cube of light.

Raemar pink white 1969 plays with our perceptions, like a large, luminescent pink canvas levitating in front of a wall. Turrell uses a range of fluorescent, tungsten, fibre-optic, LED and natural light. His art is now located across the globe in permanent installations in museums and private collections—Within without 2010, the Skyspace at the National Gallery of Australia, is one of the most beautiful.

In the 1980s and 90s Turrell developed works that expose visitors to total darkness or isolate an individual in a contained environment. After green 1993 is an immersive installation: its intense red, with soft and hard edges, make it disorientating and exquisite. Bindu shards 2010 is a light cycle for one person, a bodily kaleidoscope with patterns of crystals, shards of light, stars, galaxies and nebulae. This Ganzfeld is part of Turrell’s largest and most marvellous series to date. Once inside, saturated in colour, with no edges or corners, we are uncertain of our surrounds—a feeling akin to walking on clouds. This is contemporary art as you’ve never seen before, and promises an experience not to be missed.

We eat light, drink it in through our skins. With a little more exposure to light, you feel part of things physically. I like the power of light and space physically because then you can order it materially. Seeing yourself seeing is a very sensuous act—there’s a sweet deliciousness to feeling yourself see something.

James Turrell: A Retrospective Exhibition
13 December 2014 – 8 June 2015
National Gallery of Australia
www.nga.gov.au