“Season 2020 confirms Queensland Theatre as the national home of new stories, with 50 percent of the season being world premieres,” said Strong. “I’m proud of how we have transformed Queensland Theatre over the last four years, but I am especially proud of our championing of new stories. This is the third successive year in which at least half of our season has been brand new work,” he said.

“In the four years including 2020, we will have staged 15 world premieres, including 10 commissions reaching the stage. That’s a theatre company reflecting contemporary Australia back to itself more than ever before and more than any other. This has included established names and new plays by David Williamson, Joanna Murray Smith, Sue Smith and Melissa Bubnic. It has also included at least seven mainstage debuts, three First Nations writers, two Asian-Australian writers, one Islamic-Australian writer and one transgender writer.”

“However, it wouldn’t be a Queensland Theatre season if we weren’t ambitiously growing. We are celebrating the milestone of our 50th season of stories by reflecting Queensland like never before. This includes more Queensland exclusives and the theatrical event of the year, the stage version of Trent Dalton’s smash hit novel, Boy Swallows Universe.”

Premier Annastacia Palaszczuk said it was fitting that David Megarrity, recipient of the 2018-2019 Queensland Premier’s Drama Award, will stage his play The Holidays during the 50th anniversary year of Queensland Theatre. “The award develops one playwright into a full production. I encourage all creative artists to continue the development of their playwrights and apply for the 2020-2021 Queensland Premier’s Drama Award which is currently open for nomination until 15 September 2019. Queensland has a thriving arts sector and the Queensland Government is proud to support and celebrate Queensland Theatre’s 50th anniversary milestone in 2020,” the Premier said.

Arts Minister Leeanne Enoch said 2020 was set to be an exciting year for the state theatre company as it celebrates its milestone anniversary and presents a fantastic lineup of stage productions. “Queensland Theatre has been entertaining and challenging Queenslanders since 1970, and connecting with people through exciting theatre experiences that enrich and positively impact their lives,” Ms Enoch said. “I am so proud to see the state’s flagship theatre company continue to solidify its reputation for telling Queensland stories, presenting classic favourites and new works, developing local talent, and performing widely throughout the state.”

The season showcases a spectacular smorgasbord of talent from Queensland and around Australia, including: mainstage debutants like director Zoe Tuffin through to master playwright David Williamson, who is celebrating his 50th anniversary as a playwright; actors who have become favourites at Queensland Theatre such as Christine Amor, Jimi Bani, Emily Burton, Ray Chong Nee, Jason Klarwein, Angie Milliken, Bryan Probets, and Toni Scanlan; Australian acting royalty Nadine Garner and Rhys Muldoon; and the hottest young talent in Australia, including Josh McConville, Contessa Treffone and Sheridan Harbridge. Joining these actors are the best directors and designers in Australia in Sam Strong, Paige Rattray, Lee Lewis, Dale Ferguson, Richard Roberts, Renee Mulder, Ben Hughes and Steve Francis.

Fittingly, the 50th anniversary year opens with adopted Queenslander David Williamson’s Emerald City which celebrates the acclaimed playwright’s 50th anniversary. The play uses the hedonistic late-1980s as a canvas to explore bigger – and ever more relevant – concerns about compromising personal ideals. Directed by Sam Strong, Emerald City sees the return of Rhys Muldoon (House Husbands and Rake) to Queensland Theatre after the success of his turn as Isaac Newton in David Williamson’s Nearer the Gods.

From contemporary New York comes Triple X, by one of Australia’s most prolific and dynamic young writers-turned-New York local in Glace Chase. This world premiere, directed by Paige Rattray, will move audiences as well as make them laugh through its dissection of gender and sexuality in the 2020s.

In May, Queensland Theatre presents William Shakespeare’s most intimate tragedy, Othello. Directed by stage powerhouse Jason Klarwein and starring Jimi Bani, this uniquely Queensland version will give the classic an evocative and effective setting in the Torres Strait during the Second World War.

Next up, the world premiere of the Queensland Premier’s Drama Award-winning play The Holidays, by David Megarrity, directed by Matilda Award-wining Bridget Boyle. This sensory feast will transport audiences to a quintessentially Queensland beach getaway for a touching meditation on mortality.

Posing the question, ‘what’s our responsibility to the future’ and set in the wake of a nuclear disaster, The Children is written by one of the UK’s leading young playwrights in Lucy Kirkwood and will be directed by mainstage debutant Zoe Tuffin.

Then, one of the most anticipated stage stories of the year – and an Australian coup – the world premiere stage version of Trent Dalton’s wildly successful novel Boy Swallows Universe brings Brisbane unforgettably to life under the direction of Sam Strong. Adapted for stage by Tim McGarry and presented in partnership with Brisbane Festival, the play will see the blockbuster Australian novel burst onto stage.

In October, the Griffin award-winning Prima Facie, by playwright Suzie Miller presents an urgent, gripping one woman show which mounts an irresistible call for change through its powerful story of a defense barrister whofinds herself on the wrong side of the system, directed by Lee Lewis.

The Season 2020 finale is the world premiere and Queensland exclusive of Phaedra, which satirically transplants one of drama’s great heroines to a Queensland that has seceded from the rest of Australia. From the minds of Queensland’s own Belloo Creative, written by the acclaimed Katherine Lyall-Watson and directed by Caroline Dunphy, the play sees the return of the much-loved Angie Milliken to Queensland Theatre’s stage.

As the company celebrates 50 seasons of stories, it is especially proud of the success of the immediate past. Under the Artistic Direction of Sam Strong and the executive leadership of Amanda Jolly, Queensland Theatre has made concrete its vision of leading from Queensland – with key achievements including a new name, a new theatre, record audiences and growth, national industry leadership through gender parity of writers and directors for four successive years, more diverse voices, more new stories and world premieres, and the next generation of Aboriginal and Torres Strait Islander stories. These successes and so much more will be celebrated throughout Season 2020.

Sam Strong paid tribute to Queensland Theatre and audiences. “I am so grateful to have had the opportunity to lead Queensland Theatre and am so proud of what we have achieved together over the last four years. I’ve loved living, working and sitting in lots of theatres in Queensland, including the one we built together. Thank you for so generously embracing me and the Company’s work. Brisbane really does have the warmest audiences in Australia. I can’t wait to return to those audiences as a punter and as a director in 2020.”

Queensland Theatre 2020 Season
8-29th February – Emerald City
14th March – 4th April – Triple X
30th May -27th Jun – Othello
11th July – 1st August – The Holidays
1st – 29th August – The Children
29th August -19th September – Boy Swallows Universe
8th – 31st October – Prima Facie
14th November – 5th December – Phaedra
www.queenslandtheatre.com.au

The vibrant program is anchored by four main stage productions – Lorelei, Bran Nue Dae, Tristan und Isolde and Aida – complimented by a new Concert Series, a regional tour of 2019’s hit production of Tosca and an expanded education and community engagement.

Minister Enoch said the 2020 season was a mix of new musical experiences and memorable productions with a statewide reach.

“It’s great to see Opera Queensland stage classic works, alongside the uplifting Australian musical Bran Nue Dae, with a busy touring program throughout the state,” she said.

“The Queensland Government invests in Opera Queensland to provide high quality productions and engagement opportunities though their performances and workshops.

Artistic Director and CEO Patrick Nolan and Executive Director Sandra Willis today revealed a striking program that builds upon the success of their 2019 Season.

“Season 2020 develops and extends everything Opera Queensland has achieved in 2019,” Mr Nolan said.

“We are presenting contemporary works, written by living composers; works that tell great Australian stories; works that are among the most significant in the operatic canon; and with Aida, one of history’s grandest operas.

“Our contemporary approach to staging opera will continue throughout 2020 because we believe great productions are borne of the marriage between music-making of the highest quality and great theatre. Every element of every production is designed to enthral and engage Opera Queensland’s audiences.”

Opera Queensland’s 2020 season begins with Lorelei, a playful new Australian opera cabaret at Queensland Conservatorium Griffith University’s Conservatorium Theatre from 27 March – 4 April .

Ancient myth meets modern woman in the boundary-breaking new work created by Julian Langdon, Casey Bennetto and Gillian Cosgriff covering musical territory across tango, pop and classical.

The sumptuous production centres on the Lorelei, a trio of Sirens who sit atop the cliffs of Germany’s Rhine River singing sailors to their watery graves.

“Lorelei subverts the traditional Siren’s tale,” Mr Nolan said of the production which made its world premiere with a sold-out season in Melbourne in November 2018.

“We encounter three different versions of the Siren, each questioning the assumptions of their mythic status, changing their tune and their sense of identity in the process. The result is “part-cabaret, part-opera, all seduction”.

“We believe in investing in Australian artists and developing a body of Australian work that will survive and thrive for years to come.”

The production, sung in English and staged over a snappy 75 minutes, is presented in the Conservatorium Theatre, as part of a new partnership between Opera Queensland and Griffith University.

Following Lorelei, Opera Queensland and Queensland Performing Arts Centre present the high-spirited, Australian coming-of-age story Bran Nue Dae at Playhouse Theatre, QPAC from 24 July – 2 August.

Written by the late Jimmy Chi with the band Kuckles and first performed in 1990, Bran Nue Dae was lauded as “the great Australian musical” when it premièred.

“We are committed to telling Australian stories. Bran Nue Dae is a loving and joyous celebration of Indigenous culture” Mr Nolan said.

“This is a story about hope and the power of learning from the past. Revisiting it after 30 years allows us to reflect again on its message of ‘we are all one under the sun’.”

Richard Wagner’s sweeping saga of forbidden love, Tristan und Isolde, plays the Concert Hall, QPAC for two performances on 28 and 31 October.

The semi-staged production will be conducted by one of the world’s greatest interpreters of Wagner, Pietari Inkinen, fresh from conducting The Ring Cycle in Bayreuth, the home of Wagnerian opera.

“There are very few people on the planet who can sing Tristan und Isolde and we worked in collaboration with Pietari to cast world-acclaimed New Zealand tenor Simon O’Neil and American soprano Megan Miller,” Mr Nolan said.

“Tristan und Isolde is one of the most powerful operas you will ever hear and by including it in Season 2020, Opera Queensland highlights how glorious operatic storytelling can be.

“We chose to stage this in the Concert Hall as Wagner’s music is rich and lush and in placing the orchestra on stage, audiences can be completely immersed in his musical world.”

Opera Queensland’s main stage season ends with Verdi’s Aida, a co-production with Opera Australia that plays the Lyric Theatre, QPAC from 17 November to 4 December 2020.

Starring Australian soprano Natalie Aroyan in the title role, Aida’s set is defined by 10 automated mobile screens that transform the space through visuals and light. The production played to sold out houses in Sydney, wowing audiences with the quality of music and wonder of its visuals.

“There is an energy to this production of Aida audiences won’t have encountered before,” Mr Nolan said.

“It is a very dynamic and highly-visual experience, a beautiful expression of the music and a spectacular way to explore Verdi’s blockbuster opera.”

Puccini’s Tosca, the critically acclaimed production of Opera Queensland’s Season 2019, hits the road on a regional tour in 2020, playing to seven Queensland regional centres.

Building upon their highly regarded community chorus program, the company will draw upon the wealth of Queensland’s vocal talent to form choruses whose members appear in the performance in their regional centre.

Opera Queensland’s 2020 Concert Series spotlights a strong local flavour among six of the seven artists participating. w

“All of the Australian artists in this series have a deep connection to Queensland – whether they grew up here, were trained at the Queensland Conservatorium or live here now – and this Concert Series is a showcase of the extraordinary opera talent we have in this state.” Mr Nolan said.

Opera Queensland continues its commitment to community engagement with adult and youth vocal workshops, pre-performance talks, the continuation of its quarterly feelgood Sing Sing Sing social events and an educational program that toursThe Frog Prince and Puccini’s La bohème, the latter responding to popular demand to take opera into Queensland high schools for the first time.

Opera Queensland is also honoured to have the support of their precinct partners Emporium Hotel South Bank and Rydges Hotel. Such partnerships make it possible for Opera Queensland to create special events in opulent spaces throughout their season, bringing supporters, new and old, together.

See the complete Opera Queensland Season 2020 brochure at oq.com.au