Natalya Hughes’s The Interior Exhibition
Interested in the role of women and their historical absence from positions of power, the part-professional part-domestic setting conjured by The Interior plays with gendered power dynamics between public and private space. The couches that dot the gallery take their lush contours from the shapes of the female body, and their detailed upholstery sees motifs of eyes, rats, and snakes from Freud’s patient case studies ripple over the space in fleshy tones.
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